Influenced by these
divine thoughts on numbers I started analyzing odd and even numbers in
Chamakam. I therefore made bold to post the discourse on the Blog
<nrsrini.blogspot.com>: “What do Odd and Even numbers in Chamakam
signify? "" The other discourse “Words Identified
with Numbers in Hindu Scriptures” should also interest all religious and
spiritual thinkers.
APPENDIX
Why
Lord Vishnu is Called as Shunyah or Zero in the Vishnu Sahasranama?
One
of the “namas” in the Sahasranamam that I’m always intrigued by is the name
“shunyah” given to Vishnu, which appears in sloka No. 79:
suvarnavarno
hemango varangas chandhanangadhi
viraha vishamaha sunyo grithasirachalaschalaha
The
Sanskrit word “sunya” means “zero”, “nullity”, “cipher”, “emptiness”.
It
would strike anyone as extremely odd that the Sahasranamam should choose to
call Lord Vishnu as Zero! You can understand God being called “ekaha”, the One
Supreme Being. The essence of all monistic theism lies in the belief that God
is One (the Upanishad says, “sayaschayam purushe; yaschasavadhithye; sa ekaha”).
You
can understand too God being addressed as “ananthaha” the Infinite, as in the
Sahasranamam stanza 70:
kamadhevaha
kamapalaha kami kanthaha krithagamaha
anirdhesya vapurvishnuhu viro ‘nantho
dhananjayaha
Since
God is Immeasurable it seems plainly alright to name Him “ananthaha” the
Infinite. But how is one to explain hailing the Almighty as “shunyah” the
Cipher?
There
is a view that “If Infinity is immeasurable, so is Zero”. Mathematically
speaking, one could define zero to be anti-infinity. If “Infinity” is
immeasurable plenitude, “Zero” is immeasurable emptiness. If you were to
imagine, say, an interminable series of values, from zero to infinity, floating
somewhere out there in endless space, then, surely, Zero would be at one end of
it while Infinity would be found at the other end, wherever, that is, the two
ends may be found, if at all. And if you reflect upon it deeply, that would
make out “Zero” and “Infinity” to be two sides of the same un-graspable coin.
By
the same logic, you might say the Sanskrit “ananthaha” and “shunyah” might seem
antonymous but in reality they mean the same thing. Hailing God Almighty as
“Lord Infinity” is hence no different from hailing Him “Lord Zero”.
Incredible
logic notwithstanding, we know for a fact however that the “Infinite” and the
“Cipher” are never really the same thing. None of us would be willing to
exchange one for the other if it came to a real choice between the two. If I go
up, for instance, to a venerable “acharya” or “guru” and prostrate at his feet,
I would expect him to shower his benediction upon me saying, “May you be
blessed in life, my son, with Gods infinite Grace!” If instead the man were to
say, “May Gods zero grace be thine in life!”, the blessing would stand
transformed into a vicious curse, wouldn’t it?
So
then, why is God, who is Infinite Being, being called “sunya”, a Zero – the very
opposite of infinity? The traditional commentators of the Vishnu-Sahasranamam
offer us some explanation in their respective “bhashyas”.
Let
us take up Adhi Sankara’s “Sahasranama bhashya ” first.
In
his commentary, Sri Sankara (6th CE) explains “sunya” as an apt “nama for God,
the Supreme Brahman, who is “nirguna ” – i.e. the Being who is totally devoid
of any qualities or attributes. In other words, according to Sankaras school of
metaphysics, God is “guna sunyan”.
According
to this explanation, God transcends all attributes. His qualities like
omnipotence, omniscience etc. only serve to help us in ascertaining His reality
but they do not “per se” define Him.
The truth of Gods existence cannot be grasped by us with reference to His
qualities or “guna” alone, says Sankara. Brahman is to be apprehended as an
Absolute Being who stands far apart from and quite beyond any of His infinitely
(“ananthaha”) great qualities – i.e. He is “nirguna brahman”, a Being without
qualities, a Being with “zero” qualities. Hence it is fit to call Him “shunyah”
Let
us turn to the other explanation found in the commentary of Sri Parashara
Bhattar (11th CE) on the Vishnu Sahasranamam titled “bhagavadh guna
dharpanam”.
Bhattar
explains “shunyah” in the typical way of the school of Visishtadvaitha
theology. According to this school, God is the Supreme Abode of all auspicious
attributes. The Almighty is full of innumerable good qualities like “gny+an+a”,
“bala”, “aiswarya”, “virya”, “shakthi” and “thejas”. In Visishtadvaitha, God is
“ananthakalyana
guna ganan+” (to use a famous expression of Sri
Ramanujacharya) – i.e. Brahman is Being with Infinite Number of Happy and
Wholesome Attributes. The theology next states that God, by corollary, is also
totally devoid of inauspicious, un-wholesome or negative qualities.
According
to Bhattar, in so far as, Brahman is replete with infinitely good attributes,
He is to be known as “ananthaha”. And in so far as He is absolutely bereft of
defective qualities, He is to be known as the God of “zero-defects” – in other
words, He is “shunyah”.
From
a purely theological standpoint both explanations above are equally valid and
wholly satisfying (depending, of course, upon which school of Vedanta –
Sankaras or Ramanujas – one is predisposed towards). All the same, for one who
is not steeped in the various nuances and niceties of Vedantic theology,
(especially for one who cannot really appreciate the technical difference
between the metaphysical “nirguna” and “savisesha” Brahman), the explanations
of Adhi Sankara and Parashara Bhattar for “sunya” might only seem to resemble
the case of the proverbial bottle that got described as “half-empty” by one and
“half-full” by another.
Even
leaving theological considerations aside, one can still regard Zero to be a remarkably
apt “nama” for the Almighty. Common knowledge of the world around us reveals
how all-powerful the concept of Zero, “sunya”, truly is. When we look at the
history of Zero, we realize why “sunya” is almighty indeed!
Until
about 1500 years ago nobody in the world outside India could count numbers
beyond 9 without enormous difficulty. The entire Greco-Roman Western world knew
nothing about the Hindu-Arabic system of numerals that prevails in the entire
world today. The Romans depended upon alphabets to denote numbers – such as I,
X and C or with V, L and D. In their system the number 32 had to be written,
for example, as XXXII but writing a number like 3200 or 32000 for the Greeks
and Romans presented a huge, often insurmountable problem! For several centuries
the Greco-Roman civilization struggled with this cumbersome system of
numbering. It was the principal reason why for almost a thousand years Western
mathematics hardly advanced beyond being a method of elementary counting and
mensuration using crude devices like the abacus. The Greeks and Romans had no
knowledge of how to deal with large numbers, ratios, series, complex algebraic
functions and calculations – all child’s play for any high-school student
today. Western thought simply stagnated for ages since it could just not
grapple with the mathematical problem of large numbers and calculations.
Somewhere
between 1000 and 1200 AD, the Western world came in contact with the Arab world
and that was when the Hindu-Arabic system of numerals opened the eyes of the
Europeans to a whole new world of mathematical thought.
The
Arabs had for long borrowed and been using the Hindu system of numerals that
had been in use in ancient India for more than a thousand years earlier. The
Hindu system did not use alphabets but a simple but versatile scheme of numeric
symbols starting from “Zero” – the famous “sunya” – and ending with 9. These
symbolic numerals made it so easy to represent and calculate numerate values
anywhere from zero to infinity in quick time. They enabled complex functions
and calculations. They made it possible to represent the most formidable series
of values by a mere formula which in turn facilitated further complex
mathematical functions! The Western world realized – for the first time ever –
the power of the Hindu numeral system: a power that became the inspiration for
all the mathematical advancements to later come out of Europe: algebra, ratios,
surds, functions such as squares, cube and root, series and progressions,
logarithmic tables, quadratic equations… and so on and so forth.
It
was the power of Zero, “Sunya”, indeed, that made the European Renaissance
possible – the Renaissance that eventually gave birth to all the wonderful
discoveries of modern mathematics such as Fibonacci’s series, Pascal’s
Probability theory and even Newton’s Calculus! “The concept of Zero unleashed
something more profound than just an enhanced method of counting and
calculating”. Zero revolutionized the old modes of human thought. It meant
firstly people could use only ten digits, from 0 to 9, to perform every
conceivable calculation and to write any conceivable number. Secondly, it
opened up a whole new world of possibilities for abstract human thinking that
had been simply unthinkable before!
How
did the ancient Hindus discover such a powerful concept as “sunya” while the
rest of the world remained ignorant of “Zero” for ages?
To
grasp the concept of “sunya” required a very high level of intellectual and
spiritual advancement as what prevailed in India during and after the Vedic
period. As the English philosopher, A. N. Whitehead wrote: “The point about
zero is that we do not need to use it in the operations of daily life. No one
goes out to buy zero fish or eggs. (But) It is in a way the most civilized of
all the cardinals, and its use is only forced on us by the needs of cultivated
modes of thought”. Vedic mathematics and astronomy of those ancient times
clearly bear evidence to the highly sophisticated conceptual and ideological
skills that our Indian forbears possessed. There was no doubt at all that the
ancient Vedic Indians who gave to the whole world the idea of “sunya” were
indeed masters of the most civilized and “cultivated modes of thought”.
There
was a great mathematician in India who lived in the 10th century CE, He was
Bhaskaracharya. He wrote several pioneering treatises (in Sanskrit) on Vedic
mathematics. In one of the treatises, it is said, he wrote a small dedication:
“To the Supreme Brahman, who is Infinity, I offer my salutation”. Bhaskaracharya used the Sanskrit word
“khahara” to denote God as “Infinity” in the dedication. It is derived from
“kham” which means “Zero” and “hara” meaning “divided”. The word “khahara” was
meant to indicate that God who is Infinity is related to Zero.
Bhaskaracharya
was the first mathematician to reveal to the world the intimate relationship
between “sunya” and “ananthaha”, between Zero and Infinity. Any quantity
divided by “sunya” is equal to Infinity, he said. Take a value like 16 and
divide it (“haraha”) with progressively decreasing divisors. What happens? The
quotient progressively enlarges. For e.g. 16 divided by 4 = 4; and 16 divided
by 2 = 8; and eventually when 16 is divided by 0 it equals “Infinity!” Every
quantity, every value in the world, when divided by “sunya”, results in the
same quotient or result viz. Infinity, “ananthaha”
Such
is the mighty power of Zero that it can raise and relate all values on earth to
the exalted state of Infinity – that very same state in which God Almighty, the
Vishnu of the sacred “Sahasranama”, is said to eternally reside and rule!
WORDS ASSOCIATED WITH NUMBERS IN HINDU SCRIPTURES
(PREPARED
BY N.R. SRINIVASAN, NOVEMBER 2012)
INTRODUCTION
The Chamakam portion of Sri Rudram
concludes with a prayer mantra of odd and even series of numbers without
explaining the spiritual significance contained in them. The odd series begins
1, 3, 5 etc. and end with 33. The even series begins with 4, 8, 12 etc. and end
with 48. We come across in Hindu
Scriptures several words associated with numbers associated with important
divine and Vedanta concepts. To the intuitive seekers of Brahman these sacred numbers offer many opportunities to meditate upon and
realize the hidden symbolism as seen in Chamakam, symbol OM (3 letters word of A, U and M),
Panchaaksharee, Ashtaaksharee Mantras etc. An attempt has been made to collect
all such words and explain them from Hindu scriptural and Puranic perspective. As you all aware the modern numbers and their
decimal concept originated from ancient Rishis of India who have made
significant contribution to science and technology as we have learnt earlier.
Hindu scriptures are so vast and varied in several languages that this list is
neither exhaustive nor complete.
ZERO
Bhaskaracharya was
the first mathematician to reveal to the world the intimate relationship
between “sunya” and “ananthaha”, between Zero and Infinity. Any quantity
divided by “sunya” is equal to Infinity, he said. Take a value like 16 and
divide it (“haraha”) with progressively decreasing divisors. What happens? The
quotient progressively enlarges. For e.g. 16 divided by 4 = 4; and 16 divided
by 2 = 8; and eventually when 16 is divided by 0 it equals “Infinity!” Every
quantity, every value in the world, when divided by “sunya”, results in the
same quotient or result viz. Infinity, “ananthaha”
Such
is the mighty power of Zero that it can raise and relate all values on earth to
the exalted state of Infinity – that very same state in which God Almighty, the
Vishnu of the sacred “Sahasranama”, is said to eternally reside and rule!
ONE
Prakriti- The one and the only material cause for the entire
universe.
Ekaaksharam: “OM” Om ithi Eakasharam--(Narayanopanishad)
Tadekam: Brahman (eko viprah bahudaa vadanti—Vedas)
TWO
ASWINI DEWAS: two in numbers.
STATE OF DUALITY—Purusha(Saguna Brahman) and Prakriti (Nature)
AJNAANAS: Our mind is covered by two power’s of Ignorance (
Ajnana). They are Aavarana and Vikshepa. Aavarana covers Jiva’s real nature and
causes samsaara. Vikshepa is responsible for all creation starting with Aakasa.
ITIHAASAS (2): Ramayana and Mahabharatha. They have been created –written - during the
life time of the Characters in them and also obtained the approval of the Main
characters in them- for their authenticity.
SPIRITUAL PATHS (2): Pravritti
Maarga; Nrivitti Maarga
THREE
TRINITIES: Brahmma; Vishnu; Siva
TRYAMBAKA: Three eyed Lord Siva [his three eyes are Soorya,
Chandra and Agni]; ambaka means father—Creator of Trinities; Amba also means
three Mothers; Creator of three Saktis- Mahaasarasvati, Mahaakaali,
Mahaalakshmi
TRIKAALAAGNIKAALA: Rudra who is the basis of the three periods of
time which are like fire
SAKTIS: Saraswathi; Lakshmi; Parvati
AVASTHAATRAYA (STATES): Jagrati; Swapna; Sushupthi
GUNATRAYA: Satva Guna; Rajo
Guna; Tamo Guna
DOSHATRAYA: 3 causes for ailments in Ayurveda: Vaata; Pittha; Kapha
PRAYERS FOR SHANTI: Aadhi Deivika; Aadhi Bhoutika; Aadhyaatmika ( Hindu Prayers end with repetition of the
word Shanti three times.)
PRASTHAANA THRAYEE; Upanishad; Brahma Sutras; Bhagavadgeetaa
SACRIFICIAL FIRES: Grahapatya(Rigveda), Anvahaarya (Yajuveda) and
Aavahaneeya (Saamaveda)—Three sacrificial fires.
TRIDAAHITAM: Brahman incarnated in three forms—Sankarshana,
Pradyumna and Aniruddha.
TRISAMAN: Ratantra (Rigveda),
Vaamaddeva (Yajurveda) and Brihat (Saamaveda)—three Samans (Divine songs) in
Yajnas (Samans are divine songs)
TRIPAADA (FORMS OF SUPREME PRINCIPLE): Bhogyasthan (the object of
experience); Bhogasthan (the place of experience); Bhogopakaransthan
(Instrument of experience)
[tripaadasya amritam divi—Purushasookta]
TRIPURAANTAKA: Rudra who burnt the city of three demons
3 SOURCES OF FIRES; Soorya (Sun); Soma (Moon); and Agni (fire)
VEDA SWARAS (TONES); Udatta; Anudatta; Svarita
NAADEES (NERVES CHANNELS): Ida; Pingala and Sushumna
AAKAASAS (SPACES): Mahaakaasa (Outer space);Chittaakaasa (Mental
Space); Chidaakaasa (Knowledge Space)
SAREERAS (BODIES): Sthoola sareera (gross body); Sooksma Sareera (subtle
body); Kaarana sareera (casual Body)
CYCLIC RHYTHM (ORDERLINESS): Creation (Srishthi), Preservation
(Sthiti) and Destruction (Laya)
AUM—Mystic symbol representing Brahman containing 3 letters A, U
and M signifying Wakeful state, Dream State and Deep-sleep state.
THRIKAALA (THREE TIMES)—Past (bhoota); Present (Prasthuta or
Vartamaana) and Future (Bhavishya)
TRILOKAS: Bhur (Earth or mortal); Bhuvah (celestial) and Suvah
(Heaven or world of Gods)
DA, DA, DA (3DAs): Dama (forbearance), Daana (Charity) and Dayaa
(compassion)
FOUR
CHATURVEDAS: Rig- Yajur- Saama - Atharva
MAHAA VAAKYAAS (FOUR): Rigveda-Praajnam
Brahma; Yajurveda—Aham Brahmaasmi;
Saamaveda--Tat Tvam Aci; Atharvaveda—Ayam Aaatmaaa Brahma
UPA-ANGAS (4): Mimamsa; Nyaaya;
Puraana; Dharmasaastra
ANTAHKARANAS (4)—Mind; Intellect; Consciousness; Ego
CHATURYUGAS: Kritha; Treta; Dwaapara; Kali
VARNAASRAMAS (4): Brahmmacharya; Gruhastha; Vaanaprastha; Sanyasa
VEDASAAKHAS (BRANCHES OF VEDAS) Samhitha; Brahmmana; Aaranyaka;
Upanishad
VARNAS: Brahmana; Kshatriya; Vysya; and Sudra
UPA-VEDAANGAS: Mimamsa;
Nyaya; Puranas; Dharma Sastras
UPA-VEDAS: Ayurveda; Dhanurveda; Artha Sastra; Gandharva Veda
PURUSHAARTHAS: Dharma, Artha, Kaama and Moksha
YOGA MAARGAS: Bhaktiyoga; Karmayoga; Raajayoga and Jnaanayoga
TANTRAS: Saama; Daana; Bheda; Danda
The four-fold strength consists
in the capacity to employ four expedients: 1) persuasion or conciliation (saam); 2) Gift or gratification (Daana); 3) Sowing seeds or dissension among
the enemy’s ranks( Bheda): and 4) Use of
Violence or force (danda)
CHATURVYUHA: Vasudeva (Chitta or Mind-stuff), Sankarshana (Egoity),
Pradyumna (Intellect) and Aniruddha (Mind). They represent cosmic psychological
evolution.
HINDU ANCIENT MILITIA (SENAADALA): Ratha, Gaja, Turaga and Padaati
CHATURBAAHU: Vishnu with Conch, Disc, Mace and Lotus in his hands
CHATURDAMSHTRAH: Narasimha
with four canine teeth on his lion face
CHATVAARAATMAH OR CHATURAATMAAH: Vishnu who is Bharta(Creator), Bhokta (Sustainer),
Mahesvara (Destroyer) and Paramaatman (Supreme Lord); One whose Vibhuties (Glories) are waking (Jagriti) state, dream (Svapna)
state, deep sleep (Sushumna) state and bliss (Tureeya) state. Vishnu himself is Tureeyaateetha
(beyond these four states); One who is responsible for the four aspects of our
inner equipments—Antahkarana (Chitta, Ahankaara, Manas and Buddhi)
CHATURASRAH: Vishnu--One who gives a fair deal to all like a
square which has all four sides equal
CHATURGATIH: Vishnu who is the ultimate goal of all with different
pursuits-Brahmana, Kshatriya, Vaisya and Soodra; or one who is the ultimate
goal in all stages of one’s life-
Brahmacharya, Grihasta, Vaanaprasta and Sanyaasa
CHATURBHAAVAH: Vishnu the source of four Purushaarthas; Dharma,
Artha, Kaama and Moksha
CHATUR –MOORTIH: Vishnu, the four formed. His manifestation in
this world takes four forms.
In Microcosmic Form—the Waker (Visva); the Dreamer (Taijasa); the Deep Sleeper (Praajna);
the Pure Self (Tureeya). In Macro Cosmic Form—Viraat (Gross body; Hiranyagarbha
(Subtle body); Eaasvara (Casual Body); Paramaatman (Beyond all these bodies,
that is Eternal)
SAADHANA CHATUSHTAYA: Viveka, Vairaagya, Samadhi, Mumukshatva
CHARDHAM—Badrinath, Puri, Dvaarakaa
and Ramesvaram
FIVE
PANCHATVAS, PANCHBHOOTAS (ELEMENTS): Space, Air, Water, Earth and
Fire
PANCHA MAHAA YAJNAS: BrahmaYajna; Pitru Yajna; Deva Yajna; Bhoota
Yajna; Atithi Yajna
PANCHAAYATANA POOJA—Ambika, Siva, Vishnu, Ganesha, Aaditya
TANMAATRAS: Sound, Touch, Flavor, Smell and Form
JNAANA INDRIYAS (SENSE ORGANS): Ear, Skin, Tongue, Nose and Eye
KARMENDRIYAS (MOTOR ORGANS): Mouth (Vaak), Paani, Paada, Paayu and
Upastha.
PANCHAGAVYA: Dung, Urine, Ghee, Milk, Curd (all ingredients from
one cow)
PANCHAPRAANAS: Praana, Apaana, Vyaana, Udaana and Samaana
PANCHAKOSAS (FIVE SHEATHS): Annamaya; Praanamaya; Manomaya; Vignaanamaya;
Aanandamaya
PANCHAANGA ALMANAC: Vaasara (day);
Tithi, Nakshatra (Star), Yoga,
Karana
PANCHAANANA OR PANCHABRAHMA: Sadyojaata; Vaamadeva; Aghora;
Tatpurusha; Mahaadeva (refers to Rudra)
MAHAA YAJNAS (5): Deva Yajna; Bhoota Yajna; Pitru Yajna; Brahma
Yajna; Manushya Yajna
PANCHA SAMVATSARAS: Samvatsara; Parivatsara; Idaavatsara; Idvatsara;
Iduvatsara
PANCHA MAHAA-PATAKAS (FIVE HENIOUS CRIMES): Brahmahatya (killing a
scholar); Brunahatyaa (killing the fetus); Veerahatya (annihilation of the
valorous being); Cohabitation with preceptor’s wife; Drinking alcohol
PANCHAAKSAREE—Vedic mantra-“Namah Sivaaya”
PANCHARAATRA—Para (Supreme); Vyuha (Emanations); Vibhava(Incarnation);
Archa (icon); Antaryamin (inner-self). These are the five aspects of
Paancharaatra.
PANCHAAYATANA GODS: Saivites reckon five Gods as Siva, Vishnu, Durga, Soorya and Ganesha. [Vaishnavas
reckon five Gods in a group as: Vishvaksena, Sanaka, Sanandana, Sanaatana and Santkumaara]
FIVE VEDIC PRONOUNCEMENTS: Upakrama, Upasamhara, Abhyasa,
Apurvata, Phala, Arthavaada are the five ways to determine the Vedic pronouncement.
i.e Beginning of the work, concluding of the work, practice, idea mentioned for
the first time, benefit/result, treating the matter as subject of the work respectively.
PANCHA KARTAVYA (FIVE DUTIES OF A BRAHMIN): Yaachanam, Adhyayanam, Adhyaapanam, Daanam and
Pratigraham.
PANCHA KARMAS: Nishiddaha
(Forbidden) Karma—telling lies, killing etc; Praayaschitta Karma;
Kaamya (desire oriented) Karma
(Putrakaameshti, Jyothishtoma etc.); Nithya Karma (Sandhya vandanam, Japa,
Aaraadhana etc) : Naimittika karma: Annual ceremonies, Tarpana etc.
PANCHA KANYAS: Ahalya, Draupadi, Taaraa, Seetaa and Mandodari. (Five celebrated house- wives (Pativratasa)
PANCHESHU—Manmata (God of
Love) with five arrows to shoot at five senses.
PANCHA MAKAARA TATTVAS (TAANTRIC)—Matsya (fish), Maamsa(meat) ,
Madya (intoxicant), Mudra (gestures) and
Maithuna (copulation)
FIVE GROUPS OF VEDIC YEARS: Samvatsara, Parivatsara, Idaavatsara,
Iduvatsara and Idvatsara
SIX
SHANMATAS: Ganapathya, Soura, Koumara, Siva, Saaktha, and Vaishnava.
These are the six types of Worship of God. They are upaasana relating to Ganapathi, Sun God, Subramanya, Siva, Devi and
Vishnu respectively.
VEDAANGAS: Siksha, Vyaakarana, Chandas, Niruktha, Jyothisha and Kalpa
They are related to Education, Grammar, Maatra, Kosa, Time and Pooja method
respectively
SHAD-RIPUS: Kaama, Krodha, Moha, Lobha, Mada and Maatsarya
BHAGAVAAN: Power to command everything( AISWARYA) To
defeat the enemies ( VEERYA) ; Unobstructed knowledge of everything (JNANA); Un
limited wealth and prosperity (SRI) ; Non attachment to Prakruthi and material
objects (VAIRAAGYA) ; Fame (YASAS). [Utpattim
pralayam chiava bhootaanaamagatim gatim |vetti vidyaam avidyaam cha sa vaachyo bhagavaaniti|| (Wealth; Power; Dharma;
Fame; Character: Knowledge; and Dispassion—Bhagfavatam)]
SHAD RITUS: Vasanta; Greeshma; Varsha; Sarad; Greeshma and Sisira
SMRITIS (SIX SCRIPTURES): Smriti, Puraana, Itihaasa, Nibandha,
Aagama, and Neetisaastra.
SHAD-DARSANA: Six schools of Hindu Philosophy – Vaisheshika,;
Sankhya; Yoga; Nyaaya; Poorva Meemaamsa; Uttara Meemaamsa
SHAD-RAAGAS (SIX MUSICAL TONES): Bhairava, Malaara, Sriraaga,
Hindola, Maalakosa and Deepaka.
SHADRASAS (SIX TASTES): Madhura,
Lavana, Tikta, Kathu, Kashaaya and Amla
SHAD-CHAKRAS: Moolaadhaara; Svaadhishthaana; Manipoora;Anaahata;
Visuddha; Aajnaa
SEVEN
SAPTA-CHIRANJEEVEES (IMMORTALS) : Aswathama, Maha Bali, Veda
Vyasa, Hanuman, Vibheeshana, Kripacharya, Parasurama.
SAPTA-RISHIS: Athri, Brighu, Kutsa, Vashista, Gauthama, Kaasyapa
and Angirasa.
SAPTA- SAMUDRAS (OCEANS):- Lavana, Ikshu, Sura, Sarpi, Dadhi, Ksheera,
Sudha and Udakam
SAPTA CHANDAS (METERS):- Gayatri, Ushnik, Anushtup, Bruhathi,
Pankthi, Trishtup, Jagathi- denoting no of letters 24, 28,32,36,40,44, and
48. These are called Veda Chandas.
SAPTA-DWEEPAS (ISLANDS) Jambu, Plaksha, Kusa, Krouncha, Saaka,
Saalmali, & Pushkara (Hindus in India are in Jambu Dweepam; In USA Hindus
believe they are in Krouncha Dweepa).
SAPTA-KALPAS: Paarthiva, Koorma, Pralaya, Anantha, Svethavaraaha, Braahmma, and
Savithra. (We are now in 5th Kalpa called Svetha Varaaha Kalpa).
SAPTA PRAANAAH: 5 sense organs (jnaanedriyas), manas (mind and
Buddhi(intellect) [Taittareeya Samhita]
SAPTAARCHI SHAH (SEVEN SACRIFICIAL FIRES): Graahapatya,
Aahavaneeya; Dakshinaagni; Anvahaarya; Aabhyaavastya; Prajaahita; Agnidreeyah .
One who constitutes seven sacrificial
fires Vishnu (Yajna Purusha) or Agni
(Both are Vyaahritis of Brahman)
SAPTA JWAALAAH (SEVEN FLAMES): Kaali, Karaali, Manojava, Sulohita,
Sudhoomra-varna; Sphulingini; Visvaaruchi (Seven flames of Agni)
SAPTA JIHVAH (SEVEN TONGUED): One who exhibits seven tongues or
flames; Agni or Vishnu
SAPTA KSHETRAS—Kurukshetra, Harihara-kshetra, Sukara-kshetra,
Prabhaa-kshetra, Rama-kshetra, Bhunga-kshetra and Purushottama-kshetra
SAPTA PURIS (CITIES)—Kaasi, Kaanchi, Maya, Ayodhya, Dwaraka,
Mathura and Avantika
SAPTA-NADEES (RIVERS): Ganga; Yamuna; Godavari; Sarasvati; Narmada:
Sindhu and Kaaveri
SAPTA SAMIDHS (FAGOTS): Aswattha; Udumbara; Paalasa; Samee;
Vikantaka; Asanihitavriksha; Pushkaraparna
SAPTAUDHAAH: VISHNU [Being Yajnapurusha he is personified as seven
fagots mentioned above]
SAPTA SWARAS: sa, ri, ga, ma, pa, da, ni-- (Shadja; Rishabha; Gandhara; Madhyama; Panchama; Daivata;
Nishada)
PAAKA YAGNAS (FIRE SACRIFICES) (7): Ashtaka; Sthaleepaaka:
Parvana; Sraavani; Aagrahaayani; Chaitri; Aasvaayuja
SOMA YAJNAS (7): Agnishtoma; Atyaangishtoma: Uktya; Shodasi;
Vaajapeya; Atiraatra; Aaptoryaama
SAPTA MARUTAH (SEVEN MARUTS): Avahana, Pravahana, Vivahana,
Paramavahana, Udvahana, Samvahana and Parivahana
SAPTAVAAHANAH: Soorya riding on a chariot driven by seven horses;
also VIshnu
HAVIR YAJNAS (7): Agniyaadhaana; Agnihotra; Dasa-poornamaasa;
Aagraayana; Chautarmaasya: Niruddhapasu-bandhana; Soutraamani
SAPTA DHATUS: Seven Elements or Components in Ayurveda: Rasa (
Plasma, tissue or chyl); Rakta (blood); Maamsa (flesh) Medas (fat); Asthi
(bone); Majja (marrow); Sukla (sperm)
[upper skin and lower skin are sometimes found in place of Rasa and
Sukla}
VAASARAH: Seven days in a
week; Ravi, Soma, Kuja (Indu), Budha, Brihaspati (Guru), Sukra, Sani
SAPTA SAKTI: Braahmi;
Vaishnavi; Mahesvari; Kaumari; Varaahi; Aindri; Chamundi
SAPTA LOKAS (SEVEN UPPER WORLDS): Bhur (Mortal); Bhuvah
(Celestial) ; Suvah (Devas or Gods); Mahah ( Radiant Beings), Janah (Deities);
Tapah (Pure souls); and Satya (Truth)
SEVEN NETHER WORLDS: Atala, Vitala,
Sutala, Bhutala,Rasaatala, Mahaatala and Pataala
EIGHT
BRAHMA’S CREATION (8 types):
Gods,
Manes, Demons (Rakshasas), Gandharvas, Apsaras, Yakshas; Siddhas- Chaaranas-
Vidhayadharas; and finally Kinnaras (Kimpurshas)
AATMA GUNAS (8) : Compassion, Patience,
Freedom from Jealousy, Purity (cleanliness), not being obstinate, keeping
cool-mind, non- covetousness, desirelessness, (in other words they are Daya,
Shanthi, Anasuya, Soucham, Anaayaas, Mangala, Akaarpanya and Aspruha).
ASHTAVASUS: Agni
(Anala); Prithvee (Dharaa); Vaayu (Anila); Antariksha (Aaha): Aaditya (Prartyusha);
Dyaus (prabhaasa); Soma (Chandramaa); Tarangini or Nakshatrini (Dhruva)
ASHTASIDDHIS : Anima ( reducing the body to the size of atom); Mahima
(Magnifying the body to gigantic size); Laghima
( extreme lightness of the body; Praapti ( establishing contact with the senses
of the entire creation in the form of deities presiding over the senses);
Praakamya ( the capacity to enjoy pleasures heard of and enjoyable only in heaven
and the subterranean world); Eeasitva(
the capacity to arrest Maaya and the potencies from functioning); Vasitva (absence
of attachment to pleasures of the senses); Kaamyaavasayitaa ( by which one is
able to enjoy whatever pleasure he desires in the highest measure). These are
also known as 8 kinds of Aisvarya (Wealth) of Brahman in Brahmachakra
(Svetavatara Upanisad)
JEERNODDHAARA PADAARTHAAS (8): Materials used for fixing deities during
Jeernoddhaarana Kumbaabhishekam usually conducted once in 12 years are ashta
dravyas. They are: Kadukkai, Aamla, Conch powder, filtered-nice sand, Kol
Arakku, Cotton, Kozhy paaral, Chenchilyam- The above are mixed with Butter.
VIVAAHAAS (8 TYPES): Brahmya, Deiva (offering kanya during sacrifice to
Ritvik), Aasra (given to sages for their help), Prajapathya (to beget children), Asura , Ghaandharva,
Raakshasa, Paisacha.
ASHTAANGA YOGA: Yama; Niyama; Aaasana; Praanaayaama; Prtyaahaara;
Dhaarana; Dhyaana; Samaadhi
ASHTAAKSAHREE—Vedic Mantra—“Om Namoh Naaraayanaaya”
EIGHT FORMS OF PRAKRITI:
Prithvee; Aapah; Analah; Vaayuh; Aakaasah; Mahah; Buddhi; Ahankaara
EIGHT GODS: Brahma, Prajaapati; Devaah; Gandharvaah; Yakshaah;
Raakshsaah: Pitraah; Pisaachaah
EIGHT GUNAS OF AATMA: Dayaa(knindness); Sarvabhooteshu Kshaantih
(tolerance to all beings); Anasooya (free from greed); Saucham(purity);
Anaayaasah (stress free); Mangalam(auspiciousness); Akaarpanyam (devoid of
miserliness); Asprisaa( Free from desires)
EIGHT SAKTIS OF VISHNU—Sridevi (Wealth) , Bhoodevi (Earth),
Saraswat (knowledge), Preet (Satisfaction), Keerti (Fame), Shanti (Peace),
Tushti (Plesure) and Pushti (health)
EIGHT VIRTUES--The
eight virtues Characterizing intelligence are:1) Inclination to hear what
others say (Susrusha); 2) Actually hearing what others say (sravanam); 3) the
capacity to grasp the meaning of what others say (grahanam); 4) Retentiveness (
Dharanam); 5) Reasoning in favor of a
proposition ( Oohaha); 6) Reasoning against a proposition (apohaha); 7) Insight
into the meaning of what others say; 8) true wisdom (Tatttvajnaanam)
Susrunaa
srvanam chaiva grahanam dhaaranam tathaa |
Oohaapoho-arthavijnaanam
tattvajnaanam cha dheegunaah || (kaamandak nitisaar 4)
NINE
NAVAGRAHAS (NINE PLANETS): They are allotted each week day- but
Rahu and Kethu were also to be accommodated along with them. Accordingly each
one them were given 1/8 portion of the day (hence each one got one and half
hours on each day). Navagrahas are not main deities meant for worship. They are
only Upa- Devathas to main deities like Siva and Soorya Narayana—Soorya;
Chandra; Kuja; Budha; Guru; Sukra; Sani; Raahu; Ketu
NAVADURGAS—Shilaputri; Brahmachaarini; Chandraghanta; Kushmaanda;
Skandamaataa; Katyaayini;
Kaalaraatri; Mahaagauri;
Siddhidhaatri
NAVADVAARAAS (NINE HOLES OF THE BODY): Our body (Sareera) consists
of Nava Dwaaras: They are Nose (2); Eyes (2); Ear (2); Mouth; Paayu and
Upastham ( One each)
NAVA KHAANDAS: They are:-Indra, Kaseru, Thaamra, Kapasthi,
Punnaga, Gandharva, Soumya, Varuna, Bharatha. We are living in Bharatha Khanda.
NAVA-VARSHAS: Bharatha, Kimpurusha, Hari, Ilavruthu, Bhadraasva, Kethumaala,
Hiranyaka, Ramanaka, Guruvarsham. Of the above we use Bharatha Varsham.
NAVA MAANAS: (CALENDAR YEAR CALCULATIONS): They are Brahma Maanam, Deiva,
Bilya, Prajapathya, Brihaspathya, Soura Maana , Chandra Maana, Saavana, Nakshtra Maanam. Mainly Soura and
Chaandra Manaas are popular and in use. Sourya Maana is based on Soorya
Sidhanta and here Sun God is given all importance. Chaandra Maana followers
give importance for the strength of the Moon. Hence after Amavaasya day (Prathama)
when the moon is starting to gain power is considered as auspicious. As the
Moon’s strength is more in the night some of the Chaandra Maana followers
perform functions like marriage etc in the night.
For Sourya Maana followers a day is divided into five parts. They are Praatah Kaala, Sangava Kaala, Madhyanna Kaala and
Aparaahna Kaala, Saayam Kaala. Sangava Kaala is approximately from 8.am to
10.am which is considered as good period to start all good karmas like Aayushya
Homa, other Santhi Karmas etc. Sraadha Karma and other Apara karmas should
start after Sangava Kaala and should end in the Aparaahna Kaala.
NAVAAKSHAREE—Devi Mantra: “ Hreem
Sreem Kleem Chaamundaayai Vicche
NINE EVILS TO ESCHEW; Desire, aversion, greed, infatuation,
arrogance, envy, injury to living things, stealth and sexual misdeeds. [Kaama-krodha-moha-lobha-mada-maatsarya-vihitahimsaa-aasteya-lokavidvishta
varjanam—Sakta sootra]
NINE PITRUGANAS—Visva; Visvabhuk; Aradhya; Dharma; Dhanya;
Shubhaana; Bhutida; Bhutakrit; Bhukti
NAVARATNAS—Mukta, Manikya, Vajra, Vaidhoorya, Gomedhika, Vidurna,
Padmaraaga, Marakantna and Neela
NINE TREASURES (OF KUBERA)—Mahaapadma, Padma, Shnakha, Makara,
Kacchapa, Mukunda, Kunda, Neela and Kharva
TEN
DASA DIKPAALAKAS: Ten Dik-Paalakas ( Directional Deities) who
are protecting us from all the 10 directions.
They are: Indra ( East); Agni ( South East); Yaman ( South; Nairuthi( South
West); Varuna (West);
Vaayu ( North West); Soma ( North); Eesaana (North
East); Brahma (above) and Vishnu (below).
For construction of building as per Vaasthu Sastra the above directions are taken
for consideration.
DASAAVATAARAS (Ten Incarnations): Matsya, Koorma, Varaaha, Narasimha, Vaamana,
Parasurama,Sri Rama, Sri Krishna, Balaraama and Kalki. [Some
consider Buddha in place of Balaraama]
ELEVEN
EKAADASA RUDRAS: Mahaadeva, Siva, Rudra, Sankara, Neelalokhitha, Easaana,
Vijaya, Bheema, Devada, Bhavothbhava, Aaditya.
Vaamadeva, Jyeshta, Sreshta, Rudra, Kaala, Kalavikarana, Balavikarana, Balar Bhalapramadhana,
Sarvaboothadamana, Manonmana
Manyu, Manu, Mahinasa, Mahaan, Siva, Ruthadwaja, Uggraretha, Bhavar, Kaala,
Vaamadeva, Druthavratha
TWELVE
YAMAS AND NIYAMAS (YOGASAASTRA): Yamas: Harmlessness, Uttering
only that which is wholesome, and agreeable, Abstaining from theft, Absence of
attachment, Modesty, Non accumulation of possessions, Faith, Chastity , Silence
of speech, Firmness, Forgiveness, Fearlessness.
Niyamas:- Cleanliness of body by bath, Purity of mind, Chanting Gayathri and
other texts, Austerity, Pouring oblations into the sacred fire, Reverence for
the true religion, Hospitality, Worshipping God, , Visiting sacred places,
Working for the benefit of others, Contentment, Service to the preceptor.
AADITYAS: Arunah; Sooryah; Bhaanuh: Tapanah; Chandramas; Mitrah;
Hiranyaveeryah; Ravih;
Aryamaah; Gabhastih; Divaakarah;
Visnuh
DVAADASA JYOTIRLINGAANI (TWELVE JYOTIRLINGAS): Somanatha; Mallikaarjuna; Mahaakaala;
Onkaaresvara; Vaidynaatha; Naaganaatha; Kedaaranaatha; Trayambakesvara;
Raamesvara; Bheemasankara; Viswanaatha;
Ghrinesvara
THIRTEEN
VISWEDEVAS: According to Vishnu Purana they are sons of Visvaa,
daughter of Daksha Prajaapati namely—Vasu, Satya, Kratu, Daksha, Kaala, Kaama, Dhritu,
Kuru, Purooravas, Madarvas, Rocake and Dhvani Dhuri. Often Braihaspati is
included in their group to make a group of 13 Gods to whom prayers are offered as
Visvedevas. Visvedevas’ names appear in all worships and rituals, being
celebrated Gods of Rigveda.
COMPILERS OF SAMAVEDA: 13 Rishis
collected all poetic Mantras of Rigveda and Yajurveda under one group
called Samaveda, They are Raanaayana; Saaryamurgi Vyaasa; Bhaagauri Oulund;
Gaulomulavi; Bhaanumaan; Oupmanyawa; Daraala; Gaagarya; Saavarni; Vaarshagan;
Kuthumi; Shaalihotra; Jaimini
FOURTEEN
CHATURDASA LOKAAH: They are
Bhu, Bhuva:, Suva:, Maha:, Jana:, Tapa:, Sathya, ( in the ascending order above
the earth.) Atala, Vitala, Sutala, Talaatala, Rasaatala, Mahaatala, Paatala (
in descending order below the earth)
CHATURDASA MANVANTARAAH: They are: Swaayambhuva, Swaroochisha,
Uttama, Taamasa, Raivatha, Chakhusha, Vaivaswatha, Savarni, Daksha
Savarni, Brahmma Savarni, Dharma Savarni, Rudra Savarni, Deva Savarni, Indra
Savarni. (We are in the Vaivaswatha Manwanthara now)
FOURTEEN APHORISMS (MAHESVARA SOOTRA)—fourteen beats of the
percussion hand drum of Nataraja
FOURTEEN-FOLD VEDIC KNOWLEDGE—the
four Vedas, along with Puraana, Nyaaya, Meemaamsa, Dharma Saastra and the six
Vedangas are the fourteen source of knowledge and dharma.
FOURTEEN EXCELLENCE--The fourteen excellence enumerated in our
Scriptures are:1) A sense of time and place (desakaalajnaana; 2) firmness (Dardhyam); 3) The capacity to
endure all kinds of hardships (Sarvaklesa sahishnutaa); 4) Knowledge of all
empirical subjects (Sarvavijnaanitaa); 5) Adroitness (Daakshyam); 6) Ardor (oorjaha) 7) The capacity to
guard one’s secrets (Samvritamantrataa);
8) Consistency (Avisamvaaditaa); 9) Heroism ( Sauryam): 10) Consciousness of
one’s own strength as well as of the
enemy’s (Saktignyata); 11) Appreciation of other’s services ( Kritgnuyata); 12)
Fondness for a fugitive
Saranaagatavaatsalyam); 13) Indignation ( Amarshatvam) and 14)
Steadiness (chaapalam).
Desakaalagnyataa daardhyam sarvaklesa sahishnutaa |
Saravijnaanita daakshymoorjaha
samvritamantrataa |
Avisamvaaditaa sauryam
saktignyatam kritagnyata |
Saranaagatavaatsalyam-marshatvam-achaapalam
||
FIFTEEN
KRISHNA PAKSHA FORTNIGHT—14 Tithis+ Amaavasya
SHUKLA PAKSAHA FORTNIGHT—14 Tithis+Poornima
PANCHDASA MUHOORTAS (48 minute=1 muhoorta of the day time)—Raudrah,
Saarpa, Maitra, Paitra, Vaasava, Aapya, Vaiswa,
Braahma, Praaja, Eesa, Aindra, Aindraagna, Nairrita, Vaarub
naaryamaana and Bhagee.
“Rauudrah Saarpastathaa
Maitrah Paitro Vaasava eva cha | Aapyo Vaiswastathaa Braahmah
Praajes-Aindrastathaiva cha | | Aidraagnoe Nairutaschaiva Vaarunaarnamanoe Bhagee
| Ete-ahni kramasoe jneyaa muhoortaa dasa pancha cha ||
SIXTEEN
SHODASA UPACHAARA POOJA (WORSHIP WITH 16 STEPS): i.e Dhyanam, Aavahanam,
(Aasanam,) Paadhyam, Arghyam, Aachamanam, Madhuparkam, ( Snaanam, After Snaana
Aachamanam) Vastram,( Abharanam, Yagnopaveetham), ( Gandham-Kumkumam-Akshata)
Pushpa Archana, Dhoopam, Dheepam, Naivedyam, Tamboolam, Karpoora Neeranjanam. Swarna pushpam, Mantra pushpam, Pradakshina
Namaskarams, Sthuthi Slokas, Individual Prarthana, Chatra Chaamaradhi Samarpanam-Ending
Pooja Samarpanam etc are also part of the pooja Vidhana)
SHODASA SAMSKAARAS (RELIGIOUS RITES): Garbhaadaana; Pumsavana;
Seemantonnayana; Jaatakarma; Naamakarana; Nishkramana; Annapraasana; Karnavbedha; Vapanakriyaa; Upanayana;
Keshaanta; Vedaarambha; Vedasnaana; Vivaaha; Vivaahaagni-parigraha; Tretaagnisangraha
SHODASEE: 10 sense organs +Manas (mind) + 5 elements (Upanishad)
SEVENTEEN
SOOKSHMA SAREERA (SUBTLE BODY): Human body constitutes Sthoola
Sareera (gross body), Sookshma Sareera (subtle body and Kaarana Sareera (casual
body). Of this Sookshma Sareera constitutes five
sense organs (Jnaanedriyas), five motor organs (Karmendriyas), five Pranas (Vital
forces), mind and intellect according to Vedanta view.
EIGHTEEN
ASHTAADASA SIDDHIS (18 ATTAINMENTS): Eight are mentioned UNDER 8
No. 8. The other 10 Siddhis are :
Absence of hunger, thirst and old age; The capacity to see distant things;
Capacity to hear from unusual distance; Moving at any speed; Taking any form at
will; Leaving one’s body at will; Participation
in the sports of Gods; Attaining any desired object; Exercising unobstructed,
authority anywhere.
PURAANAS: They are: Matsya, Maarkandeya, Bhavishya, Bhagavatha, Brahmma,
Brahmmanda, Brahmma Vaivartha, Vaamana, Siva, Varaaha, Vishnu, Agni, Narada,
Padma, Linga, Garuda, Koorma, Skaandha.. Apart from the above there are 18 Upa-puranas
also.
STEPS TO HEAVEN: One has to climb eighteen steps to reach Aiyappan
in Sabarimalai (Pathinettu-padi) in Kerala in India. 18 steps are supposed to be the steps of
ladder to heaven. They represent eighteen principles—Five sense organs, eight
internal enemies like lust and greed, three gunas (Satva, Rajas and Tamas) and
Vidyaa(Apara Vidya) and Avidya (apara vidya). Geeta preaches on salvation
progressively in 18 chapters.
LINGA DEHA (18): Consciousness, ego, eleven senses (five motor
organs + five sense organs + mind) and five subtle elements (according to
Ayurveda)
VIDYAS: Vedas 4, Upavedas 4, Upaangas 4 and Vedaaangas 6 totaling
18 Vidyas.
NINETEEN
As per Ayurveda (Nagarjuna) there are 19 Maha Oushadhees like,
Sanjeevani, Vrana, Viropani etc.
NINETEEN CONSTITUENTS THAT MAKE THE HUMAN BODY FUNCTION: 4
Antah-karanas+5 Jnaanedriyas+5 Karmendriyas+5 Pancha-praanas=19 constituents.
TWENTY-ONE
Our Bodies have 21 Very important
parts according to Ayurveda Sastra.
5 Jnanedriyas+5 Karmendriyas+5 Praanas+5 Elements (panchbhootas)+mind=21
TWENTY-THREE
Ayurveda mentions 23 types of diseases like Jwara, Athisaaram,
Vishajwara. Etc.
TWENTY-FOUR
PRAKRITI TATWAS (24 FACTORS): Mind,
Buddhi, Ahankaara, Chitta along with 5 organs of Perception, 5 organs of
action, 5 Praanas (sometimes five sense objects-tanmaatras) and 5 gross
elements make 24 Prakriti Tatwas
TWENTYFOUR FORMS OF VISHNU (CHATURVIMSATI MURTI): Kesava(Agni); Narayana(Prajaapati); Maadhava(Soma): Govinda(Easaana); Vishnu(
Savir); Madhsoodhana (Brihaspati); Trivikrama(Paitru-deva); Vaamana(Bhaga);
Sreedhara(Arhamaa); Hrisheekesa (Savitri); Padmanaabha(Tvashtri); Daamodara (Pooshan);
Samkarshana (Indra); Vaasudeva (agni); Pradyumna (Vaayu); Aniruddha (Mitraa-varuna);
Purushottama (Bhraatrideva); Adhokshaja (Visvedeva); Naarasimha (Vishnu);
Achyuta (Vaasava); Janardhana (Tushtiba); Uopendra(Kubera) Hari (Dasra); Sri
Krishna (Brahma). [They also signify 24
syllables of Gayatri mantra: ta, tsa, vi, tu, rva, re, ni, yam, bha, rgo, de,
va, sya, dhee, ma, hi, dhi, yo, yo, nah, pra, cho, da, yat].
TWENTY-SEVEN
Nakshatras are 27 in number in modern astrology. But as per Vedas
we have 28 stars. In the last pada of Uttara Aashada and first Pada of Sravana
a star by name “ABHIJIT” is situated.
THIRTY-ONE
There are 31 Lokas as per scriptures. Apart from the 14 mentioned
some- where in this article, the following Lokas also forms part of the 31
lokas. They are: Vaikunta, Radha, Go-loka, Manidweepa, Maha Kaalapura,
Sivapura, Ganesha Loka, (7 Sub-heavens). Ayodhya, Mathura, Maya, Kasi,
Kanchi, Avanthika, Dwaraka (These 7 forms Bhu Loka Vaikunta); Kailasa,
Manasasarovar, Meru (Three Brahmma
Lokas).
THIRTY-THREE
Thirty Three Devatas are Ekadasa Rudra (11), Dwadasa Aadithyas(12),
Ashta Vasus(8), Aswinidevas (twins), and Prajaapati.
FORTY SAMSKARAS— 1. Garbhaadaana, 2. Pumsavana, 3. Seemantonnayana, 4. Jaatakarma, 5. Naamakarana, 6. Annapraasana, 7. Chudakarana, 8. Upanayan,
9. Praajaapatyam (veda-vrata), 10. Saumya (veda-vrata) 11. Aagneya (veda-vrata)
12. Visvewdava (veda-vrata), 13. Samaavartana, 14. Vivaaha, 15 to 19. Pancha
Mahaa Yajnaas, 20 to 26. Paaka y Yajnas, 27 to 33. Havir Yajnas, 34 to 40. Soma
Yajnas.
FORTY-NINE
According to Scriptures there are 49 Maruth Ganas.
FIFTY
The first letter came out through God’s nose was “OM”. From Omkara
49 other letters came. They are 25 consonants from ( Ka to Ma) 16 Vowels from (
Aa- Aha:) 4 aspirants ( Sa –Sha- Sa -Ha ) 4 Semi Vowels ( Ya –ra-la-va ). It is
reported that Vedic metres are made of these sounds.
FIFTY-ONE—51 Sakti peethas dedicated
to Goddess Sakti
SIXTY
HINDU YEARS CYCLE: 60
Years—Prabhava, Vibhava ……etc. (See Hindu Calendar on Blog: <nrsrini.blogspot.com> for all the names)
MISCELLANEOUS
CHANDAS OF RIGVEDA (13): Gayatri (24 letters); Ushnik (28);
anushtup (32); Brihati (36); Pankti
(40); Trishtup (44); Jagati (48); Atijagati (52); Shakwari (56); Atishakvari
(60); Ashthi (64); Atyashthi (68) Dhriti
(72)
CHANDAS OF YAJURVEDA (8): Atidhriti (76); Kriti (80); Prakriti
(84); Aakriti (88); Vikriti (92); Sankriti (96); Abhikriti (100); Utakriti
(104)
CHANDAS OF ATHARVAVEDA (5); Uktaa (4); Atyuktaa (8); Madhyaa (12);
Pratishthaa (16); Supratishthaa (20)
GAYATRI PURVA PANCHAK CHANDAS (5): Maa (4); Pramaa (8);Pratimaa
(12); Upamaa (16); Samaa (20) [These are not used in Mantra Samhitas)
108 DIVYAKSHETRAS—108 Vishnu temples famous due to the devotional song sung by the
Azhvars, the twelve devotee-saints of Lord Vishnu.
369 Key To The Vedic Trinity
3-6-9 the key to the Vedic Trinity,
Leads one to find the name of divinity,
Where you recognize divine intelligent design,
So that with the heavens you do begin to entwine,
3 is for the number representing the Vedic Trinity,
6 is for their names added in total using numerology,
9 is for the name of the divine who manages the three,
This is the name written between our eyes that'll set you free!
3 is the number that begins this numerological mystery,
6 is the number you get from adding the names of the Trinity,
9 is the number you get from the name of universal integrity & dignity,
This is the name that launches you to the skies to the realm of divinity!
This name is KRSNA who is the beginning & the end,
The one who always returns to help the realm transcend,
He is the Grand Architect who is here, there & everywhere,
He is the Master Magician who is here, there & yet nowhere!
How
no decode this cosmic poem:
NUMEROLOGY:
MATHEMATICAL KEY TO THE DIVINE 3 6 9
FOR THE TRINITY -- 3
BRAHMA + VISHNU + SHIVA) NAMES ADDED
BRAHMA = 2+18+1+8+13+1= 43
VISHNU = 22+9+19+8+14+21 = 93
SHIVA = 19+8+9+22+1 = 59
SUM TOTAL
43+93+59= 195 = 1+9+5 = 15 = 1+5 = 6
KRSNA in numerology…
K=11 R=18 S=19 N=14 A=1
11+18+19+14+1 = 63 = 6+3 = 9
NOTE: The numbers are taken from there
alphabetical order in A to Z (A=1; Z=26)
KRISHNA
K=11 R=18 I= 9 S=19 H=8 N=14 A=1
11+18+9+19+8+14+1 = 90 = 9+0 = 9
3 6 9
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