In Hindu Culture, Why do we Do……….
(Compilation for a Discourse by N. R. Srinivasan ,May 2002)
Young and old have questions as to why certain
rituals are performed and certain traditions followed at the temple. Much of what we do at the temples to-day, has
been passed down to us by our parents, whom we never questioned. The present generation's thirst for knowledge
has not left our practices unquestioned.
Every Hindu tradition has either a scientific,
logical, social or spiritual significance. Therefore it is necessary to
understand them which lend a meaning to
the otherwise mechanical repetition of customs, which is often misunderstood to
be mere superstition. Superstitions fade
with times. Hindu traditions which are not superstitious have withstood the
test of times. It is therefore important to bring home the meaning and
significance of the currently practiced traditions, to our young Hindu
population, who are growing up in an atmosphere that is completely foreign and
materialistic
A unique feature of the Hindu culture is itself
rejuvenating capacity. Customs which are
obsolete and anachronistic have either been dropped or have faded away for
example human sacrifice, animal sacrifice, severe penance, sati customs have their origin in the puranic
period, or the Muslim invasion period, and do not have any Vedic origins, like
wearing marks on the forehead, ringing the bell, or aarathi etc. Hindu culture tailors itself constantly to
take the best of the modern technological age without losing its roots. The customs and traditions whose meanings are
explained in this compilation are simple and enduring ones, that are an
integral part of Hindu homes wherever they may be and are practiced in the day
to day life. Modern youth have a mind of scientific and logistic enquiry and
customs based on superstitions will not convince these inquiring minds. Hence an attempt has been made to give
logistic and scientific meaning to some of the traditions as it is practiced
today.
REMOVING FOOTWEAR
It is the Hindu custom to remove footwear before
entering THE LORDS HOUSE, or any house for that matter. It is believed that footwear carries germs
dust and dirt from the streets. It is
also customary for people to wash their hands and legs before they enter any temple. This is an example of how the Hindus
maintained sanitation and cleanliness of their surroundings.
WHY DO PRIESTS CHANT SO MANY PRAYERS?
Prayer is the ultimate way for one to communicate
with the almighty. The priests are a medium through whom one can communicate
with the Almighty. Prayer with devotion
brings about inner peace and invokes thea Aatman (God) within you. When slokas
are chanted with correct pronunciation and intonation, a divine atmosphere is
created with holy vibrations all around.
AARATI
Aarati is a ritual performed in the worship of Hindu
Gods, whereby a lighted lamp or lighted camphor is moved circularly (clockwise)
around the idol. The sanctum sanctorum is usually dark, the idol is carved
usually out of black stone, Aarathi
removes darkness and reveals the form of the Lord to you when the priest moves
the lamp all around the idol. Before
electricity was invented, the only way devotees could see the actual idol was
when the priest performed aarathi. This
also reminds us that God can lead us from darkness to light and from ignorance
to knowledge "Tamaso-ma Jyotir-gamaya ". When the priests bring the flame to the
devotees, it is customary to run both
the palms of ones hand over the flame and then
pat the palms over ones eyes as a
mark of absorbing the Almighty's light into ones body. It should also be
remembered that fire is a purifying agent and what is pure is what is offered
to The Lord.
THEERTH--HOW DOES ONE RECEIVE THE HOLY WATER?
It is the Hindu belief that all prayers chanted will
invoke the Lord, in fire, water and
air. Spiced water is offered to the Lord
during the chanting of hymns. When the priests chant the mantras they imbibe
the water with good spirits, example the holy rivers, protecting elements (5
life controlling elements) praana, apaana, vyaana, udaana, samaana and God
himself. Water is thus turned to
"THEERTHA" (holy water) during pooja.
At the end of a pooja after distribution of the aarathi the priest hands
out only half a spoon of this holy water to the devotee, in order that this
holy water may be absorbed by the body and never desecrated, excreted or spilt
on the floor. It is a practice among
orthodox south Indian seniors, to visit their neighboring temples after morning
rituals and receive this holy water before eating any solid food each day. Theertha should be received by placing a cup
shaped form of the right hand over the left and sipped in, so that the theertha
does not run off to the floor and what is left over may be sprinkled on top of
ones head. It is also a practice in South India for people to place the end of
their sari or dhothi under the cup shaped right hand as a means to absorb the
excess water spill, if any. Theertha should be received with reverence and
devotion. Theertha usually contains
water, tulsi (mint like herb), flavoring agent--lilac, cardamom, saffron,
nutmeg, cooking camphor.
PRASAADAM-- WHAT IS PRASAADAM AND HOW DO YOU RECEIVE
IT?
Food offerings to the Almighty is called prasaad, it
may be tulsi leaves (plant) flowers, nuts, raisins, coconut fruits etc. These become sanctified as they are offered
to the Lord by the priests by chanting the proper mantraas (prayers) invoking
the vital airs (the Pancha praanaas). Anything offered to the Lord must be
given with devotion and a pure heart and he is said to accept it. As Sri Krishna says in the Gita:
Patram Pushpam Phalam Toyam Yo me Bhaktya Prayacchati
Tadaham bhaktya-upahratama- snaami prayaattmanah
I will accept a leaf, a flower, a
fruit or water offered to me with devotion and a pure heart.
The prasaad is only an expression which states that
whatever product of nature one obtains, or food which one has prepared, is
actually HIS GGrace and one should consume it only after it is offered to the
Lord. After the pooja is over, the
priests distribute a small serving of prasaad to each devotee which is to be
consumed. When a meal is offered to the Lord, it is usually partaken by the
offerer, his family and friends. It should not be treated carelessly or
discarded. It is not a practice to eat
regular meals in front of the sanctum sanctorum. In Indian temples there are special places
designated for this purpose. It is also
a time to remember your creator and thank him for all the blessing of food that
you receive.
SHATHAARI OR BLESSING FROM THE CROWN:
Shataari is the SriVaishnava practice of placing a
silver crown on the devotee's head by the priest. Sataari comes from the word removal or
emancipation from wickedness and evil (Shata means wickedness and ari means
removal) which you seek at the feet of the Lord. Shataari is synonymous with
"Paduka" (footwear) of Sri Rama. When Rama was exiled to the
forest, Bharatha his brother was distraught
and wanted Rama to come back to reign the kingdom of Ayodhya, Rama
removed his "paduka" and gave it to his brother. Bharata placed it on the throne and mythology
says that the footwear protected the world, in Rama's absence. If one closely
observes the crown, one will see 2 feet impressions of Lord Vishnu on top. Shataari should be received with both hands
covering the nose and a bowed head by women and with folded hands and the head
bent down by men. Receiving the Shataari
signifies the surrendering to the feet of the Lord and asking him for mercy to
relieve you from all wickedness.
PRADAKSHINA
Pradakshina (Sanskrit), meaning
circumambulation, consists of walking around in a ‘circle’ as a form of worship
in Hindu ceremonies in India. The devotees walk around the garbha griha, the
innermost chamber of the shrine housing the temple deity. It is done around
sacred fire (Agni), trees and plants as well. Thus Pradakshina is done around
Tulsi plant and Peepal tree. Pradakshina or Parikrama is done in pilgrimage
centers also.
Pradakshina literally means: to the right (Dakshina means
right). So in Pradakshina, one goes to
the left hand direction to keep the deity around the Sanctum Sanctorum on one’s
right side. Pradakshina is one of the customary aspects of going to a temple.
Typically, Pradakshina is done after the completion of traditional worship
(pooja) and after paying homage to the deity. Pradakshina is supposed to be
done with a meditative mood.
From the Rig Vedic verses Rig: 2.42.3 and 2.43.1 – “Pra as an
adjective means very much. Pra can also come as a prefix to verbs and take on
the meaning of onward, forward. Onward to Dakshinam or south is
pradakshina. When one does that, one’s
right side is facing the deity inside the garbhagraham and the circumambulation
is Dakshinacharam or auspicous as recommended by the Veda.”
Skanda Purana Ch.9 v.68 – “In the word Pra-Da-Kshi-Na the
syllable Pra dispels sin, the syllable Da bestows what is desired, the syllable
Kshi causes the destruction of Karman and the syllable Na is the bestower of
salvation.”
Why is
pradakshina done only in a clockwise manner?
Hindus go round the sanctum sanctorum in the temples and
sometimes the deities in the pujas or yajnas at home in a clockwise direction.
We always assume God is the center of our existence. He also exists everywhere.
So when we do Pradakshina or circumambulation, we accept that our actions and
thoughts are always centered on God. The center point is always fixed and
remains the same at whatever distance we do the pradakshina. So we are reminded
of the eternal truth that God is the center of gravity and the main focus of
our existence. This is the main principle of Pradakshinam.
The world is always rotating around itself on its own axis as
well as around the sun. All the planets also rotate on their own axes. This is
called rotation and their rotation on their orbits is called revolution. Just
like in solar system, the sun is at the center around which the planets rotate;
our pradakshinams should be done with god at the center. The Pradakshinam
should be done slowly and never in a hurry.
Our thoughts and actions must dwell on God.
It is normal to do Pradakshinam always in a clockwise direction.
This is because we assume that Lord is always on our right side. This reminds
that we must always lead a righteous life, in the right path called Dharma.
“The sins committed by the mind are destroyed by the first step
(of pradakshina), the sins committed in speech by the second and the sins
perpetrated by the body by the third step.” (Skanda Purana Ch.9 v.28)
Accordingly the numbe of pradakshinas are one for Ganapathi, two
for Soorya (Sun), three for Siva, four for Devi and Vishnu and seven for
Arayaal (sacred fig), generally three padakshinas are done in a temple in
Kerala. Accordingly the first pradakshina destroys all sins including
brahmahathya papa (sin due to slaying of Vedic scholar), the second makes the
worshipper an adhikaari (qualified person for material and spiritual pursuits)
and the third helps the person in obtaining naindra-sampaada (pleasures of life
which lead to final liberation). A number of twenty one pradakshinas in a day
is considered most beneficial as per Swayambhoo aagama.
Further he makes pradakshinas (devotional rounds) slowly with
folded hands and visualizing the deity in his mind all the time. All these
actions knowingly or unknowingly have salutary effect to ward off the ego from
the mind of the devotee. It is noteworthy that the purpose of temple worship is
never achieved unless one understands that visits to temples are temples are
meant to help the devotee to shed his ego. The purpose of visits to temples is
one’s own cultural emancipation which functions on fundamental values known as dharma.
Significance
of doing Pradakshina
We cannot
draw a circle without a center point. The Lord is the center, source and
essence of our lives. We acknowledge this by performing Pradakshina. Recognizing Him as the focal point in our
lives, we go about doing our daily chores. This is the significance of
Pradakshina.
Also every point on the circumference of a circle is equidistant
from the center. This means that
wherever we may be or whoever we may be, we are equally close to the Lord. His
grace flows towards us without partiality.
According to Adi Sankaracharya, real Pradakshina is the
meditation that thousands of universes are revolving around the Great Lord, the
unmoving center of all forms.
There is a popular legend about the significance of Pradakshina.
Once Lord Shiva wanted his two sons, Ganesha and Subrahmanya, to get “worldly
experience” and asked them take a “tour of the universe”. While Subrahmanya
spent decades traveling the world on his peacock, Ganesha just walked a full
circle around his mother and father and is believed to have explained “since
the world is contained within you, I have already encircled the world”!
Shayana
Pradakshinam or Anga Pradakshina
Shayana Pradakshinam is done in a lying posture. It starts with
a Sashtanga Namaskara in front of the sanctum sanctorum. In Sashtanga
Namaskara, the devotees have eight parts of their bodies touching the ground.
Thus forehead, chest, shoulders, hands and knees touch the ground. The folded
hands will be directed always towards the deity.
In this pose, the devotees circumambulate on the Pradakshina
path. The relatives and friends of the devotees help them to roll around. This
is a tedious ritual.
The pradakshinam of the Supreme Lord with different Veda
manthrams (in different meters) and circumambulating Him in Aathma Pradakshinam
and Bhahya Pradakshinams in a clockwise manner is indicated here.
Why do
we do Atma Pradakshina?
At the end of the pujas, it is a custom to do pradakshinam
around ourselves three times & this is called “Atma Pradakshinam”. The
proper pradakshina is going round the Self (Atma Pradakshina) or more
accurately, to realize that we are the Self and that within us all the
countless spheres revolve, going round and round. We bow to the supreme
divinity within us, chanting
yaani kaani cha paapaani janmanthara kruthaani cha
taani taani vinashyanthi pradakshina pade pade
taani taani vinashyanthi pradakshina pade pade
May those omissions and commissions done in this life and also
in the previous births and the resulting afflictions perish with every
pradakshina.
Somasooktha
(Soma-moon) Pradakshinam
Pradosha pooja is one of the most sacred and important among the
poojas performed by Shivites to the Graceful Lord Shiva. In Shukla Paksha (15
moon days from new moon to full moon) and Krishna Paksha (15 moon days from
full moon to new moon) the evening of the Trayodasi (thirteenth moon day)
between 4.30 pm to 6.00 p.m. is called Pradosham. It comes once in fifteen moon
days. Pradosha time is to pray Lord Shiva and invoke His Blessings. Praying in
this time will free us from sins and gives Moksha (hence the name Pradosha).
During Pradosha time, a special type of circumambulating called “Somasooktha
Pradakshinam”
The highlight of every pradosha is the Soma Sooktha
Pradakshinam. The Pradosha Nayakar is a small statue of Shiva and Parvathi,
standing on Nandi. He comes out only during the pradosha and hence the name.
The Pradosha Nayakar is carried in a procession around the temple three times,
followed dutifully by all the devotees in what is called the Somasooktha
pradakshinam. But the order of the pradakshinam is the weirdest ever. The
pradakshinam starts at the Kodimaram, behind Nandi. Having a darshan of the
linga through Nandi’s horns, the procession goes around the temple
anti-clockwise until it reaches the Gomukhi (the spout from which the abhisheka
waters come out). There the procession turns back and comes back to the
Kodimaram and continues its clockwise rotation until it reaches the
Chandikeswara shrine. Once again the direction of travel is reversed and the
procession ends up at the kodi maram. This bizzare circumambulation is repeated
three times with the Pradosha Nayakar in the lead. This is called the
Somasooktha pradakshinam because while doing it, the lord and the devotees
describe the shape of a crescent moon (Soma-moon). And if you have been thick
enough not to unravel the reason behind this odd form of pradakshinam, then
here it is. It is done to commemorate the circumambulation of the Devas around
Mount Kailash when they came for help. They kept running between Nandidevar and
the poison, denoted respectively by the Nandi mandapam and the gomukhi, in a
similar fashion until Shiva decided to sort things out. The Somasooktha
pradakshinam is infact a re-enactment of the devas pleading to Shiva for help.
THE PURPOSE OF VARIOUS ADORNMENTS (MARKS) ON THE
FOREHEAD:
Applying
whatever it may be Vibhuthi, Kumkum, Chandan or Naamam on the forehead and
other parts of one's body is a form of decoration of the Lord within
(Paramatman, Atman) and it is also considered a blessed gift (prasaadam) from
the Almighty.
VIBHUTHI OR SACRED ASH
The word
Vibhuthi means excellence, dignity, majesty, glory, and some more. Bhasma means ‘that which shines’, ‘that which
destroys all sins’, ‘that which produces auspiciousness’ and ashes. Vibhuthi or bhasma is the holy ash collected
from burnt organic matter from the homa or sacrificial fire, this is called
BHASMA. The word bhasma means "that by which our sins are destroyed and
the Lord is remembered". BHA
implies "bhartsanam" which means to destroy and the "SMA"
implies "smaranam" which means to remember in Sanskrit. Shiva, the ascetic is visualized as covered
with ash which is fragrant as mentioned in the commonly chanted
"MRUTUNJAYA JAPA MANTRA, (for him) "sugandham" (sweet smelling).
Vibhuthi also signifies one of the pancha-bhootaas he carries with him, besides
the Earth which he carries on his body, Agni, Vayu, Water and Space. Vibhuthi,
constantly reminds one that everything else of the body is perishable except the
Aatman within us. After all, isn't the ultimate destination of the human body
ash! Vibhuthi is also said to have
medicinal value and is used in the mantric type of healing. As the story goes, not only did Saint
Thirugnana Sambandhar had to cure the stomach disease of the Jain king
Koonapandian, of Madurai (7th century), but also had to prove to the king that
it had medicinal value. The saint while composing the poem
"Mandiram-aavathu Neeru" took a hand-full of Vibhuthi and applied it
on the king’s body. This gave the king immediate relief and he converted
himself to a Hindu. History also records that people of Tamilnadu were
converted from Jainism to Hinduism after this.
Vibhuthi should be taken with the right hand and applied on the forehead
as three horizontal lines. The first
line stands for removal of Ahankar (pride) the next stands for removal of
Ignorance and the third stands for removal of Dushkarma (bad actions). The ash we apply indicates that we should
burn false identification with the body and become free of the limitations of
birth and death. Ardent Saivites apply
the vibhuthi on nine parts of the upper body, the forehead, on both the upper
arms, elbows, wrists, neck and chest.
Vibhuthi applied with faith is said to increase intellectual power and
prosperity. Siva devotees apply bhasma
as a tripundra (3 horizontal lines). When applied together with a red dot in
the centre the mark symbolizes Siva-Shakthi, the unity of energy and matter
that creates the entire seen and unseen universe. Sivapuranam and Tirumandiram
extol the use of Vibhuthi in great detail. Tirumalar, poetry says "Gangaalan Poosum Kavacha
Tiruneetrai", glorifying the use of Vibhuthi. Vibhuti on the forehead is
also called Tiryakpundra.
Saivite Brahmins in Tamilnadu are clled Aiyyars
(Iyers). Aiyyar comes from the word Arya or Ajja. Ending a Tamil word in “ar”
is to denote respectable form of addressing like Tamil words Dikshitar, Vadhyar
Periyar etc. Orthodox Saivites wear Tiryakpundram at several designated parts
of the body like what Srivaishnavites do with Naamam chanting the sacred names
of Siva. The word Aiyar or Iyer is loosely used in Tamilnadu to all Brahmins
who are seen with their holy marks and holy thread, applicable to Vaishnavites,
Saivites and Saktas. In olden days this was used as a respectable term used to
address Tamil Brahmins.
It may be of interest to know the Tamil version of
the Holy Bible addresses Jesus Christ as Iyer. A woman suffering from leprosy
considered to be the deadliest disease in those days cries to Jesus “Aiyare!
Enmeedu Irangum”, meaning Oh Lord! Have mercy on me! This shows that the word
Iyer derived from Arya was used as a respectable form of addressing high
dignitaries and holy people.
NAAMAM (URDHVA PUNDRAM )
The U or Y shaped marking, adorning the forehead of
Vaishnavites is called Urdhvapundra. The
followers of Vishnu adorn their foreheads with Naamam. It consists of either a U or Y shaped outer
white marking and either a red or yellow straight line in the middle. Those Brahmins who wear U shaped naamam are
called Vadagalai Iyengars; those that wear Y shaped naamam are called Tengalai
Iyengars. Vadagalai Iyengars give importance to Sanskrit Vedas first and then
to the Tamil Vedas called Naalaayira Divya Prabhandams. They are called men of
Northern culture. Tengalais who are
known by their Southern culture give first preference to Tamil Vedas. The white
paste is from china clay paste and the red vermillion paste is made from
turmeric which is yellow but can be dyed red.
The white lines represent Vishnu (Shukla-ambaradaram Vishnum) and the
red Lakshmi (taam-agni-varnaam). White
stands for purity, while the red indicates brilliance, symbolizing wealth and
riches from Lakshmi. Some wear a yellow
line amidst the 2 white lines which signifies the person comes from a very
spiritual and pious background, as they identify the red color with blood of
Durga. The naamam with sri charanam is
usually worn by the men, while the sri charanam (single red line) is worn by
women in the Sri Vaishnava sect. Naamam
gives a cooling effect when exposed to scorching sun (china clay and sandal
paste are antidotes). Ardent Vaishnavites
apply the namam on the top of the head, forehead, both the upper arms
and forearms, neck and chest. The entire
body emanates energy in the form of electromagnetic waves, especially the
forehead and the subtle spot between the eyebrows. This is why worry causes headaches. Naamam cools the forehead protects and
prevents energy loss. So also does kumkum, chandan, and bhasmam, (this does not
include the plastic bindhis!).
Since it has been ordained by the Vaishnava
scriptures while marking the various parts of the body with the Urdhvapundra,
names of Lord Vishnu (like Kesava, Madhava) are to be repeated and that the
respective mark represents the respective aspect of the deity indicated by
their particular name, the word Naama (Name) has become synonym with the
Urdhvapundra itself.
When marked on the forehead of a deity in a temple,
it may signify the power of the deity to uplift the worshippers. When marked on
the forehead of the worshipper it may remind him of the need to take a
spiritually upward path. It is sometimes interpreted that the two lines on the
outside represent the Idaa and Pingalaa (the two passages for the flow of
praanic energy, intertwining the backbone) and the middle line (marked in
yellow or red color) represents Sushumna passage (through which the Kundalini
power flows after awakening). The three together represent the yogic path of
spiritual ascent.
Some people think it uncivilized to wear any sacred
mark on the forehead. It is also given a bad name as a “caste mark”. As a matter
of fact the sacred ashes are worn by all castes from the Brahmins to Harijans.
So is the case with the Vaishnava Naamam (made of Tiruman or the sacred earth):
it stands for the truth that everything is of the earth and mingles with the
earth; that is all is Vishnu. The ashes
are symbol of Paramaatman. When the body is cremated all that remains is the
ashes which are the symbol of the eternal Brahman. Wearing of sacred marks
seems to be to bring into one’s mind, various religious-spiritual concepts so
as to feel pure and elevated.
Srivaishnava followers in Tamilnadu are called
Iyengars. The word Iyengar is composed
of two words Ayya+gar. Ayya comes from the word ‘Arya’ (the respected) and ‘gar’
is a respectable ending like the Tamil words Ammangar, Annangar etc. You also
notice Telugu words end with “Garu’ to express respect. Another school of
thinking feels Iyengar word is derived from Aingaran are five attributes that
Srivaishnava’s practice in everyday life. This is indicative of their
philosophical pursuit and not their caste identity as is believed to be. The word Iyer or Ayyar also comes from the
word Ayya or Ajja derived originally from Arya. Christian tamil Bible uses the
word Ayyar to address Jesus Christ. So, in the ancient tradition high dignitaries
and noble souls were addressed as Arya.
Every Srivaishnava follower of Ramanuja believes in
practicing 1) Abhigamanam 2) Upaadhaanam 3) Ijyam 4) Svaadhyaayanam and 5) Yogam.
Vaishnava Brahmins in Tamilnadu practiced it for a long time and orthodox
amongst them still continue with that practice wherever they are settled. Strangely
during the period of E.V. Ramaswamy Naicker, leader of Dravida Kazhagam
Movement, the Tamil word “Parppanan” (meaning men who see the Truth) was
identified with Iyengars who were distinct in Tamil Society with their
Urdhvapundram, tuft of hair, and holy thread, and the once respected word
Parppanan began to be used in derogatory sense due to hatred towards this class
and their tradition. Truth could be realized by any who is spiritually oriented
like what happened with Azhwars. Out of 12 Azhwars (Vaishnava saints) only
three were Brahmins and the rest were drawn from those who are designated as
Non-Brahmins and among them one was from scheduled caste. All these Azhwars are
venerated, their idols are consecrated, and worshipped in Srivaishnava Temples
including by the religious heads belonging to various Maths and Institutions
belonging to Srivaishnava tradition. Saint Ramanuja’s Guru was Nammazhwar, who
was not a Brahmin. All the Azhwars are revered as Paarpaanans as they realized
Truth by their spiritual pursuits. Parppanan as some think is the corrupt form
Brahmanan is not correct. Jagadguru Chandrasekahrendra Saraswati says Kashyapa
rishi got his name from Pasyaka meaning one who saw the Truth (one who was
liberated). Paarppaan is Tamil translation for
Pasyaka.
Orthodox Srivaishnavites who have undergone the
sacrament of Samasrayanam (Branding their arms with the holy symbols of discus
and conch of Lord Narayana) wear 12 Naamams, in designated areas of their body
chanting the names of Vishnu at least on special ritual days if can’t wear
daily:
1)
Om Kesavaaya Namah—face (Om Sriyai Namh)
2)
Om Narayanaya Namah— central stomach region(Om
Amritodbhavaayai Namh)
3)
Om Madhavaya Namh—chest region ((Om Kamalaayai Namh)
4)
Om Govindaya Namah—central inner neck region (Om
Chndarasodaryai Namah)
5)
Om Vishnave Namah—right side of stomach region (Om
Vishnupatnyai Namh)
6)
Om Madhusoodanaya Namah—right arm (Om Vaishnavyai
Namah)
7)
Om Trivikramaya Namah—right side of the inner neck (Om Varaarohayai Namah)
8)
Om Vaamanaaya Namah—left side of the stomach (Om
Harivallbhayai Namah)
9)
Om Sridharaya Namah—left arm (Om Sarnginyai Namah)
10) Om
Hrisheekesaya Namah—left side of the inner neck (Om Devadevikayai Namah)
11) Om Padmanabhaya
Namah—bottom portion of back (Om Mahalakshmyai Namah)
12) Om
Damodaraya Namah—back of the neck (Om Sura Sundaryai Namah)
The Mantras within the brackets are to be chanted with reverence to the
consort of Vishnu Mahalakshmi while applying Sri charanam.
The left-out white paste is smeared on to the head
chanting “Om NamohVaasudevaaya” Nand red paste chanting “Om Sarvaabheeshta
balapradaayai Namah”, being considered holy.
Naamama is symbolic of mother earth since it is
china clay dug out from earth. Red paste again is an earth root (Turmeric)
product and symbolizes Mother Earth.
KUMKUMA: RED VERMILLION POWDER
Kumkum is made by combining turmeric with limestone
which changes its color from yellow to red.
It is applied to the center of the forehead as a circle or tilak. Many non Indians question the purpose of the
kumkum and many of us do not have an answer. Here is how it can be answered: the
kumkum or any mark on the forehead signifies that the person belongs to the
Hindu religion. Of course people of other faiths also adorn it as a mark of
beauty. With the Muslim occupation,
usage of kumkum, gained momentum and then in the last century has more so
evolved into a cosmetic representation, assuming different shapes and colors.
Kumkum is attributed to the worship of female deities-- Lakshmi, Parvathi and
Saraswathi. It is considered auspicious,
an indication of good fortune and prosperity and is considered particularly
fortunate for a long happy married life. The red color of the kumkum is
associated with fire. Fire is considered
energy, so another interpretation is kumkum represents energy (shakthi). It is
customary among South Indian families to offer kumkum to women
visitors as a way of honoring them. In
North Indian practice, kumkum applied on the parting of a womans's hair
symbolizes marriage. Adoring the forehead with kumkum between the eyes is also
a way to honor Lord Shiva's third eye which was supposed to be powerful and
distructive.
In Sumangali Kriya, meaning auspicious ceremony during
wedding, the groom puts sindoor (kumkum)
in the wife’s hair parting, in North Indian practice. Wife then prays for the
long life of her husband. Then on she
puts vermilion in her hair parting throughout her life, living with her
husband. The tradition of using vermilion in the hair parting by married women
finds favor with Hindu religious writers because this point is just above the
suture in the scalp and a little above the point where the soul resides. This
point is more delicate in women than in Men. The application of vermilion helps
avoid wrinkles and skin problems and also protects one from evil influences. It
also deters the spread of lice.
GOPI USE OF
SANDALWOOD PASTE SAFFRON.
Lord Krishna is usually seen with a yellow U on his
forehead which is sandalwood paste mixed with saffron. This is called kasturi tilakam. Sandalwood paste is also used in poojas and
at the end of the services some of it is distributed to the devotees. In
temples like Guruvayoor the idol is fully smeared with sandal paste during
abhishekam and at the end of the pooja the same paste is distributed as
prasadam to all. The use of Sandalwood
paste is more common among Madhvacharya
followers. This fragrant paste is used by men on their own bodies while
performing Sandhya-vandanam, the personal ritual worship that one is inducted
into after the sacred thread ceremony among Brahamins (Upanayanam). The paste
is applied moist on vital parts of the body and the ritualistic mark of the
discus (chakra) and conch (shanka) are made on the shoulders for invoking the
divine energy. Pious, orthodox Vaishnavites smear it on their chest too. Chandan is customarily received with the
middle finger and worn on the forehead and the neck.
NAMASKARAM--SALUTATION BY PROSTRATING IN FRONT OF
GOD AND ELDERS:
It is the Hindu tradition to bow down to the Supreme
and to the elders by kneeling and bowing ones head to the floor. There are 2
postures which are practiced by Hindus.
The Astaanga posture is when all 8 limbs of the body touch the floor
(face down sleeping posture). This is
also called Sashtaanga Namaskaaram. This
is recommended to be done by men only.
The Panchaanga pranaamam or 5 parts of the body touching the floor
(head, shoulders and hands, knees, feet) is done by men and women. This is a kneeling posture with the head
bowed down to the floor. In temples
prostrations of these types are done only to the Gods. Outside temples they are
done to elders. Prostrations should not
be done to those who are sleeping or still in wet clothes. One should not also bow down to those who are
younger in age. In the Vaishnava
practice the men in the family prostrate and then announce their name, ancestry
and school of thought (abihivaadanam) after they have had their upanayanam
(thread ceremony). Usually one announces
his gotra, the three or five sages one is descendent from, the sutra one
follows, the Vedas one follows and then ones name to receive blessing from
elders. These announcements are not made before God, Sages,
Sanyasis, or women other than ones
mother. Abhivaadanam is an interesting practice handed down from generation to
generation without any documentation. It
was unique way of maintaining a record of the family background, school of
thought, Vedic study and background of the individual.
The Flag-staff (dvaja-stambha) indicates the starting
point of the consecrated area of the shrines in Hindu Temples as one walks
towards Garbhagriha. Strict observers of Temple rules ((niyama) therefore prostrate only with Ashtaanga Pranaama or
Panchaanga Pranaama before the flag post
so that their feet do not point towards
any consecrated deity in the consecrated areas. As you all know that several
deities are installed as per Vastusaastra in all areas around the sanctum and
also several Balipithas. Within the consecrated area only circumambulation and prostration
in standing position with folded hands across the chest or raised above the
head are done. Ardent devotees also do Atma-pradakshina as you see being done
for Lord Jagannatha three times (going round self three times). However for
Lord Ganesha Dhobikarana is done squeezing both the ears with crossed arms,
with crossed legs and bending up and down several times. This is done even in
the sanctum sanctorum, because this is a modified standing posture.
Charana Spurs or touching of the feet of the elders,
as is in vogue in North India as a mark of respect, is an age long Hindu
tradition. Since the human body is releasing vibrations and also receiving them
from people who come close, touching the feet encourages flow of energy. When elders touch the head of the person for
blessing him, energy is again exchanged between them. This exchange of energy
gives one vigor, self-confidence and contentment. One experiences an inner glow
and thrill. The blessings received after Charana Spurs are like invisible
armor. They motivate and give strength.
Orthodox Vaishanvites prostate before the flag-post
with their eight body parts touching the soil and with folded hands called Sastaanaga Namaskaaram. This is in veneration
of Mother Earth (Prithvee), one of the elements. As he watches the Lord he receives the Aarati
with respect and touches his eyes. This
is second obeisance to the element Fire (Agni) which he receives into his eyes.
Then when the holy water is offered by the priest he first sprinkles a bit on
his head; the next three little servings are consumed. This is his third
obeisance to the element of water (Aapah). Then he circum-ambulates himself
three times with folded hands. This is for paying obeisance to the Self within (Aaatma Pradkshina). No
prostration is done body touching the floor near the sanctum qwhich is divine
charged atmosphere to avoid pointing his
feet towards some of the deities installed during Vaastu pooja. He then leaves
the premises and takes a bigger circum-ambulation with folded palms
(Namaskara Posture). He then feels the air (Vaayu) around and in that posture pays obeisance to the
fourth element. He then sits at the Northern end gazing at the cupola of the temple
tower rising to great heights. Here he
pays his obeisance to the last element space (Aakaasa). He then leaves the
temple premises chanting Om Namoh Naaraayana! This is his final obeisance to
the Supreme Principle irrespective of whatever deity he might have worshiped.
Thus his focus is on Brahman and the five great elements in all his worship.
RINGING THE BELL
Invariably in almost all Hindu temples there are one
or more bells hung from the top near the entrance to the sanctum sanctorum. Hindus go to the temple to have
"Darshan" (vision) of the Lord first before starting the worship or
prayer. The purpose of Darshan is to
establish communication between ones own "Aatman" (the divinity
within you) and "Paramaatman"
visualized through the idol (the Supreme Divinity). Darshan of the Lord is an
essential and primary part of the Hindu faith, even before any form of worship
starts. The devotee rings the bell as
soon as he enters, thereafter proceeds to have Darshan of the Lord, following
it with prayer or worship. The ringing
of the bell produces what is regarded as an auspicious sound. It produces the sound of "OM" the
Universal name of the Lord (Pranava).
Most Mantras (prayers) and Vedic chants start with OM. All auspicious
actions begin with OM. It fills the mind with peace, makes it focused and
replete with subtle sounds. The ringing of the bell drowns any irrelevant or
inauspicious sound, and pervades the whole atmosphere. This reminds us of all
pervasive nature of the supreme (Sarva-vyaapi). Even while doing the
ritualistic "Aarathi" the bell is rung. It is sometimes accompanied by conch blowing,
beating drums, clashing of cymbals and other musical instruments. Hindus chant
the following prayer while ringing the bell to start their daily worship.
Aaga-maartham tu devaa-naam | Gama-naartham tu raakshasaam || Kurve
ghantaa-ravam tatra | devataahvvana lancchanam ||
I ring the bell indicating the invocation
of divinity, so that virtuous and noble forces enter (my home and heart) and
the demonic and evil forces from within and without depart.
Bells are rung in big temples at the commencement
and conclusion of services. In the olden
days, people lived around the temple, and thus this would alert them of the
services at the temple. They would then rush to the Temple to have the Darshan
of the Lord, receive the Aaarati and also receive the Prasadam. Many senior
citizens in villages would wait for these bells to cease ringing before they
ate their meals as a mark of respect to their creator.
LIGHTING OF OIL LAMP
Lighting an oil lamp at the altar at dawn and at
dusk at the temple and in homes is a laudable custom among the Hindus. Light is a manifestation of Goddess Lakshmi,
symbolizing knowledge, brilliance, health and wealth. The oil lamp is adorned
with sandal paste, vermillion and fragrant flowers. Hindus believe that by lighting lamps, they
are inviting their favorite Gods and Goddesses into their hearts and
dwellings. Light symbolizes knowledge
and darkness ignorance. The Lord is the
knowledge Principle (Chaitanya) who is the source, the enlivener and the
illuminator of all knowledge. Hence the
light is worshipped as the Lord himself.
Subham karoeti kalyaanam aaroegyam
dhanasampadah /
Satrubuddhi vinaasaaya deepajyoeti namoestu te//
I prostrate to the light of the lamp which brings
brilliance, the auspiciousness, the health, the wealth possessions and for the
destruction of bad thoughts of my enemy.
Why Bilva leaves are
sacred?
One
tree about which Rishis of the Ayurveda had a very deep knowledge was the Bilva
tree. The science of Ayurveda values the Bilva or Bel highly for the medicinal
properties contained in its root, fruit and leaves. According to Swami
Sivananda, it is a healing tree which cures all diseases caused by vata (wind)
and gives strength to the body.
This
is a sacred tree the leaves of which are generally trifoliage.
This trifoliage leaf is symbolic of Trikaal or the Hindu Trinity of Devas known
as Brahma Vishnu and Mahesh. The other names of this tree are Wood apple and
its botanical name is Aegle Marisol. The
Bilva leaf or Patra as it is known, represents the Trinetra or three eyes of
Lord Shiva, the main aspects like Trishaktis--Ichchaa Sakti, Kriyaa Sakti and
Jnaana Sakti (volition, action and knowledge), the three Siva lingams and the
three syllables of AUM or Omkar and are most favorite of Lord Siva.
There
are also five foliage Bilva leaves known as PanchaDal patra found on some Bilva
trees and these too are held as sacred for the worship of Lord Siva. Bilva tree
grows to a height of 8 meters with thorns. The leaves are alternate, ovate,
tri-foliate and aromatic. The tender leaves and shoots are consumed as salad
greens. The flowers bloom in the month of May and will have a sweet fragrance.
Bilva
trees are very ancient like Tulasi plant and have been glorified in many Puranas.
Siva
Purana in a particular narration says how the usage of Bilva due to its
scientific as well as medicinal properties is of great advantage to Mankind. Those
who meditate upon Lord Mahadeva in His form of Linga at the root of Bilva
obtain Moksha & become purified souls by attaining Shiva (Please refer to Mahasivaratri
discourse)
The famous Shri Bilvashtakam (v. 6–7) mentions
:
Lakshmyaascha
stana utpannam Mahaadeva sadaa priyam,
Bilva vriksham prayachchhaami eka bilvam Shivaarpanam.
Darshanam bilva vrikshasya sparshanam paapanaashanam,
Aghorapaapasamhaaram eka bilvam shivarpanam.
Bilva vriksham prayachchhaami eka bilvam Shivaarpanam.
Darshanam bilva vrikshasya sparshanam paapanaashanam,
Aghorapaapasamhaaram eka bilvam shivarpanam.
Born
from the heart of Goddess Lakshmi, the Bilva tree is ever dear to Mahadeva. So
I ask this tree to offer one Bilva leaf to Lord Siva. Anyone who takes a (view)
of the Bilva tree, and touches it, is freed from all sins. The most heinous sin is
destroyed when a Bilva leaf is offered to Lord Siva.
It
is also believed that Lakshmi, the Goddess of Wealth, also lives in the Bel
tree. Those who perform the puja of Siva and Parvati devoutly, using the
leaves, will be endowed with spiritual powers.
Medicinal uses: The roots, skin, fruits and the leaves of the Bilva tree
are used for medicinal purpose. Bilva has astringent, edema lessening, anti-diarrhea,
laxative and appetizer properties hence, can be used to cure both internal and
external diseases.
THE PURIFICATION RITUAL--AACHAMANA
All karmaas done without
Achamanam are doomed to failure and would be futile, warns the Smriti. There
are many Smritis, which prescribe different types of Achamanam, some mutually
conflicting. The first and foremost function in the Sandhya upasana is
Achamanam. They are of three types of Achamana—Sruti, Smrithi and
Purana. Sruti achamanam is mentioned in the Taittareeya Aranyaka where it is
said that the following mantra “Vidhyudasi vidhyamay papmanam ritaat sathya
mupaimi” is chanted and water is touched. Meaning of this Rik mantra is as
follows: You are lightening. Remove my sins. Through truth I attain unto
Truth.
The Achamanam in practice during
Sandhyavandanam etc. is described in the Smritis. There is one more prescribed
by the Shruti and which is done at the time of Brahma Yajna (done after praatah
sandhyaavandanam, in which one prasna from the Veda is recited daily in
sequential order, along with the Purusha Sukta). This Achamanam is described in
the TaittirIya Aranyaka (2nd Prasna, 15th panchati) thus: “Trih aachaaet
dvih parimrijya, sakrit aupasprisya shirah chakshushee nasike shrotre hridayam
aalabhya”.”. As in the ordinary Achamanam, here too, water is sipped
thrice, the lips wiped twice. Then one should touch the head, eyes, two
nostrils, two ears and the heart. This constitutes the Shrouta Achamanam.
The important difference in this type of Aachamanam is that it is done without
any mantra being uttered- the intake of water is without the accompaniment
of Achuta Ananta Govinda names. Further, the body parts to be
touched are only eight, against twelve in the Smaarta Aachamanam. Additionally,
even while touching these parts, no mantra is to be recited (i.e., without the
Kesavadi names ). Perhaps due its peculiarities, and the absence of
accompanying Bhagavan names, this Achamanam is prescribed only during Brahma
Yajnya and nowhere else.
When no water is available at the
time then Smriti prescribes an easy method of purification- -that of
touching the tip of one’s nose and then the right ear, uttering the Pranava
mantra. This is based on the Scriptural texts, which say that Agni resides in
the Brahmana’s nose tip and holy rivers like the Ganga in his right ear. Hence
touching these two purifies a person immediately.
Smrithi Achamanam is of two
types--Srauta and Smartha. Srauta, achamanam is followed by recitation of
three paada (steps) Gayathri and then 21 parts of the body are touched. While
performing mantras recited are: apohista mantra; seven
vyahritis; three paada Gayathri and ending with Om apo jyotheerasah amrutam
Brahma…. In Smartha achamanam laid down by Manu/Yajnavalkya and others
achamanam is performed two times then lips are washed twice and then cleaning
palm, mouth and other sensory organs are touched. In Purana achamanam water is
sipped thrice and 12 parts of the body are touched chanting 12 names of Vishnu
(dwaadasa naama).Purana aachmana is most popular. In spite of sectarian
followings of rituals in general aachamana mantras are confined to names of
Vishnu only. The three sips are taken chanting the mantras—Achyutaaya Namah,
Anantaaya Namah and Govindaaya Namah. Achuyuta signifies Lord’s
attachment to the devotee. Ananta signifies his all-pervasiveness. Govinda
signifies easy accessibility to the Lord. The purpose behind this
Achamana ritual is vividly explained by Manoj Tiwary as given below:
Achamana--The Purification Ritual
Posted by Manoj
Tiwary | Oct 27, 2015 | IndiaDivine,Org
Achamana begins with praising God as the Illumination of
All. In this, we thank Him not only for the wonderful gift of light which makes
it possible for us to see the objects of this manifold universe but also for
the even more wondrous gift of intelligence, the ‘light of the soul’, by means
of which we comprehend our existence. Without this light, our lives would be
bereft of meaning. We therefore thank God for this most wonderful gift by
acknowledging His Infinite Beneficence in bestowing it upon us.
The proper end of man is the realization of the four
Purusharthas, namely:
. Righteousness (Dharma)
. Wealth (Artha)
. Pleasure (Kaama)
. Salvation (Moksha)
. Wealth (Artha)
. Pleasure (Kaama)
. Salvation (Moksha)
The attainment of these four virtues constitutes the purpose
of our existence on this earth. Yet, these virtues can only be had through the
knowledge of God’s Omnipresence. This is the prerequisite for true virtue, and
once we have thoroughly integrated this knowledge into our personality, virtue
will flow to us unhindered.
Therefore, when we pray that God may grace us with the
fulfillment of our proper end, we are ultimately praying for a more perfect
knowledge of His Omnipresence. And, in fact, this is the true purpose of the
entire process of Sandhya leading up to Upaasanaa: to make one acutely aware
the all-pervading and ubiquitous presence of God.
ओं शन्नो देवीरभिष्टये
आपो भवन्तु पीतये
शंयोरभि स्रवन्तु नः
आपो भवन्तु पीतये
शंयोरभि स्रवन्तु नः
OM shanno deviirabhistaye
aapo bhavantu piitaye
shañyorabhi sravantu naha
aapo bhavantu piitaye
shañyorabhi sravantu naha
O God! O Illuminator of All! Grace us with the fulfillment
of our proper end. May we drink the life-giving waters! May they always flow to
us in peace!
After reciting the Achamana mantra, the devotee sips water
from his right hand three times. Sipping water serves three primary functions
in the performance of Achamana.
The first is to cool the throat and clear it of any physical
impurities such as dust or phlegm. This helps prepare the vocal mechanism for
the work of reciting the Sandhya mantras clearly.
The second function is to awaken the vital powers of the
human organism, driving away lethargy and drowsiness. This is important as the
mantras must be recited with vitality to ensure that the vibratory energy they
represent is properly manifested.
The third function is to remind us of our dependence upon
the Grace of God for our survival. Without water, which is His Gift to us, we
would surely perish and thus be unable to attain our proper end in life. We are
here reminded of this fact, and this helps to put us in the proper state of
mind conducive to successful meditation.
Therefore, the act of sipping water serves to initiate the
preparatory work of uniting and harmonizing the physical, vital and mental
aspects of man as undertaken through Sandhya, preparing him for the supremely
spiritual experience of Upaasanaa.
MOUNA VRATHA
Mauna
Vratha literally means a vow to keep silent. For spiritual growth it is
essential that one’s speech must be pure. To acquire purity of speech the
practice of silence is important. Hindu religious texts commend mauna-vratha
for this purpose.
In
Bhadra, sixth month of the Hindu calendar, 16 days of mauna-vratha are said to
be useful. It is believed that through silence one is able to achieve one’s
desire. One attains the abode of Lord Shiva. Along with mauna-vratha it is
essential that some time must be spent in offering prayers.
In Bhagavad Gita, 17/16, it is said:
manaḥ-prasādaḥ
saumyatvaḿmaunam ātma-vinigrahaḥ
bhāva-saḿśuddhir ity etat tapo mānasam ucyate
bhāva-saḿśuddhir ity etat tapo mānasam ucyate
Contentment
of the mind, amiable temperament, silence, religious meditation and good
thoughts reflect austerity of the mind.
Silence
is placed mid-way between other qualities. It begins with control of the mind. Once
the mind is controlled, one becomes friendly. One begins to look kindly towards
others. One cuts down on useless speech and thinks more of God. One begins to
generate good thoughts.
In
Chanakya Niti, 11/9, it is said:
Whoever
can remain silent every day for a full year becomes worthy of thousands of
years of praise in heaven.
Silence
can change the personality of an individual. Through silence a person controls
anger and speech. One grows stronger through greater determination and
self-confidence. One is more at peace and free of tension. There is
conservation of energy and a person experiences greater inner strength, helping
one develop into a better person.
You
May Ask Why is There an Emphasis on Silence?
We
all know that if speech is silver, silence is golden. Silence helps to conserve
energy, to concentrate and introspect. It helps one in the search of divinity.
By observing silence one gains goals easily.
In
Mahabharata, there is a story pertaining to silence. After Maharishi Vedavyasa
had dictated the last shloka and Lord Ganesh had noted it down on the bhojapatra,
Maharishi Vedavyasa said:
“Vighneshwar!
Blessed is your writing! The Supreme Spirit has created the Mahabharata and you
have written it. What is more amazing is your silence. During dictation I must
have spoken almost twenty hundred thousand words, but all along I did not hear
a single word from you.”
Lord
Ganesh thoughtfully responded, “Badarayana! Some lamps have a lot of oil;
others have only a little. No lamp has a continuous supply of oil. In the same
way, gods, mankind and demons have a limited life. Only those who have
self-control and use their powers with patience and understanding can fully
benefit from their life. The first step to self-control is to control one’s
speech. Whoever cannot control his speech loses energy unnecessarily. Through
control of speech one avoids such a loss. I have always believed in the power
of silence.”
Importance of
Prayer Rosary in Hinduism
Posted by Prem
Bhalla | Sep 18, 2015 | 1
A
rosary – a string of beads put together – to keep count of the number of times
a person has repeated a mantra is an important prayer item in most Hindu homes.
Commonly referred to as a mala, it typically has 108 beads. The source of beads
could be rudraksh (seeds of the tree Elaeocarpus
ganitrus), tulsi, vajyanti (the garden of Lord Vishnu), colored glass,
pearls or even precious or semi-precious gems. A rosary made of Rudraksh is considered
best. Rudraksh possesses germicidal and magnetic qualities.
विना
दमैश्चय्क्रत्य:
सच्चदान: विनोदक्म् |
असन्ख्यता तु यजप्त: तत्सर्व: निश्फ़ल्: भवेत् ||
असन्ख्यता तु यजप्त: तत्सर्व: निश्फ़ल्: भवेत् ||
Just
as no religious ceremony is complete without kush, no charity is complete
unless one gives it with one’s hand, praying without a rosary has no count and
will bring no results.
Why
Are There 108 Beads in a Rosary?
In
the Yogchudamani Upanishad it is said:
षट्शतानि दिवारात्रो सःस्त्रानयेक: विन्षति |
एतत् संख्यान्तित: मन्त्र जीवोजपति सर्वदा ||
एतत् संख्यान्तित: मन्त्र जीवोजपति सर्वदा ||
108
beads are stringed together to make a rosary because it is related to the
frequency of our breath. In 24 hours, one breathes 21,600 times. 12 hours are
spent in the daily routine.
That
leaves us 12 hours for devotion to God. This means that each day 10,800 times
breathing should be utilized for devotion to God. However, since this is not
practical, the two zeroes have been removed. Therefore, breathing 108 times is
appropriate during prayers.
Another
explanation pertains to the sun. In relation to the earth, in one year the
movement between the sun and the earth is 216,000 degrees. Since for six months
the northern part of the earth faces the sun, and for the other six months the
southern part of the earth faces the sun, the number is reduced to half, that
is, 108,000 degrees. When three zeroes are omitted, the remainder is 108. Each
of the 108 beads in the rosary is symbolic of each degree of change. The third
explanation is based upon astrology. The entire universe is divided into 12
segments. Each represents a sign of the zodiac. In Hindu religious texts, there
are principally Navgrah (nine planets) that affect us. With 12 segments and 9
planets, when the two are multiplied we get the figure 108. Therefore, the
number 108 represents the universe and controls our success.
As
per another explanation, Hindu sages located 27 constellations, each of 27
stars. Since each constellation has four steps, 27 multiplied by 4 is 108. This
number exudes purity. Hindus use the prefix Sri followed by 108 (i.e., Sri 108)
with the name of a religious head or a teacher who has wide influence, or those
who have contributed to promote the knowledge and understanding of Hindu
religious texts. Since these religious leaders are referred to as Sant, Mahant,
Mandaleshwar or Mahamandaleshwar, depending upon their stature, they are
addressed as Sri 108 Mahant… (name).
What is the Best Way to Use the Rosary?
The
use of a rosary enables one to keep count of the number of times a mantra or
prayer has been repeated. Each rosary denotes 108 times. On the top of each
rosary there is a bigger bead called Someru — a name derived from a mountain of
the same name that allegorically represents being composed of gold and gems.
This mountain is accorded a coveted position in the universe. The same coveted
position is accorded to the Someru in a rosary. One begins using the rosary
from the Someru, and when one reaches it again on completing one round of the
rosary, crossing it is not recommended. Instead, one reverses the rosary and
continues praying, moving one bead at a time. Irrespective of the number of
times the rosary is rotated, one does not cross the Someru. Each time one
reaches the Someru after completing one round of the rosary, one must think
reverently of the god to whom prayers are being offered. At this point, the
Someru is brought in contact with the forehead with the same reverence offered
to God.
In
the Shivpuran, Panchakshar Mantra, shloka 28, it is said that when using a
rosary if one uses the thumb one achieves salvation. If one uses the forefinger
it enables conquer of foes. When one uses the middle finger, prosperity is
achieved. By using the ring finger one finds peace.
In
the Shivpuran, Panchakshar Mantra, shloka 29, it is said:
A
rosary with 108 beads is the best. One with 100 beads is good. One with 50
beads is moderate.
Why
Do Many Hindus Wear a Rosary Around the Neck?
Besides
being acknowledged as an important accessory in prayer, a rosary made of beads
of Rudraksh, tulsi and other divine gifts of nature is useful when worn around
the neck or other parts of the body. During prayer, the use of the tongue, the
vocal cords and the larynx are under greater stress than in normal everyday
use. Their continued use can cause problems pertaining to the throat and the
adjoining glands. Use of a rosary around the neck helps prevent the occurrence
of these problems.
Rudraksh
beads come in many forms. They could be anything from one to fourteen faced.
Their effectiveness varies with quality. It is customary to use a 26-bead
rosary around the head, one with 50 beads near the heart, and one with 16 beads
around the arm. One with 12 beads can be used as a wristband. It is believed
that wearing a 108-bead rosary around the neck ensures fulfilment and success.
It has been equated with the ashwamedh yagya — a celebrated sacrifice performed
only by an emperor. The Shivmahapuran, Padampuran and other religious texts say
that the virtuous wear a 108-bead rosary and find a place in heaven.
In the Shivpuran it is said:
A
rosary made of no other item can be as blessed and fruitful as that of Rudraksh.
In
the Shrimad Devi Bhagavata it is said:
Nothing
could be nobler than wearing Rudraksh on one’s body.
In
shlokas 65 to 66, describing the qualities of a 108-bead rudraksh rosary, it is
mentioned that benefits of the ashwamedh yagya accrue every moment to one who
adorns the rosary around his neck and one finds a place in heaven. This
benefits 21 generations.
One
should wear a Rudraksh rosary with devotion as directed in religious texts.
This helps one grow spiritually, become free of worldly obstacles and problems,
benefits the mind and heart, keeps blood pressure within control, banishes
imaginary fears, ensures mental peace, calms and balances the flow of bile, and
protects the wearer from sudden death. Whoever uses it to pray benefits
ten-fold.
Hindu
scriptures accord great religious importance to Tulsi. It protects against
disease, promotes longevity and has special magnetic qualities. Using it
imparts its qualities to the person who wears it around his neck. One develops
greater confidence and a magnetic personality. Fame and popularity grow and one
feels blessed and content.
When
wearing a Tulsi rosary around the neck, contact with the skin helps prevent
cough and cold, headache, skin disease and blood disorders.
In
the Shaligrama Purana, it is said:
Wearing
a Tulsi rosary is very beneficial during mealtimes. A bath with Tulsi rosary
around the neck is equivalent to a bath in the holy Ganga and other holy rivers
and streams.
While Praying, I find it Hard to Concentrate Upon God. What
can I do?
Just
as a child does not start running soon after birth, do not expect to be able to
concentrate for long periods in prayer. You will learn concentration gradually.
Many begin by participating in group prayers. In reality, God has no form. He
is present in all things at all times. Until you reach the stage where you can
perceive God everywhere, concentrate on whatever you find convenient.
Concentrate on one who is kind and benevolent to you. To you he is God. Do it
for whatever time that suits you. Your concentration will improve as you begin
to enjoy these short experiences.
Importance of
Camphor in Rituals
Posted
by The Editor |
Dec 23, 2015
Aarti is
one of the most important aspects of
prayers in Hinduism which symbolizes the removal of darkness by true spiritual
enlightenment. It is performed by lighting a ghee lamp in front of the deity
while praying.
On many
occasions, Hindus light a camphor or kapoor as an offering to God at the end of
the aarti. Although we have probably all
seen this act, many of us are not aware of the importance of this gesture.
When the
camphor is lit, it burns itself out, fully evaporating until there is no
residue left in the prayer utensil, leaving behind a sweet fragrance in the air
instead. In the same manner, it symbolizes union with God and the promise of
the devotee to burn their ego completely without leaving any residue while
spreading the light of knowledge to other lives that touches theirs, no matter
how brief a time. Just like the scent emanating from the camphor, the devotee,
devoid of his ego and arrogance, spreads goodness around themselves.
The flame of the camphor also signifies the
flame of consciousness of Lord Shiva where we can surrender all our egos to be
burned under the influence of God, no longer to be seen within us. We close our
eyes while performing the aarti as if to look within, to our very self or
Atman. Self- realization can be achieved by realizing ourselves with the flame
of knowledge.
At the end
of the prayer, the devotee places cupped hands over the flame and touches the
eyes and top of the head, symbolizing the illumination of vision and purity of
thought.
Camphor is
made through an ancient Ayurvedic method by distilling the bark and wood of a
coniferous tree called Camphor Laurel (Cinnamomum camphor) that is largely
found in Asia, particularly in India, Sumatra, Indonesia and Borneo. White
camphor is a crystalline substance with the chemical formula C10H16O, which is
a fantastic anti-oxidant.
As an
excellent germicide, camphor is burned to purify the atmosphere, it is also
believed to remove negativity from the environment.
Absorbed through
the skin, camphor produces a feeling of cooling similar to that of menthol and
acts as a slight local anesthetic and anti-microbial substance. It is a
decongestant and can be used as an essential oil for aromatherapy or topical
application.
Used properly
with medicinal understanding, it can decrease the harshness of nervous disorder
as well as convulsions, epileptic episodes, nervousness, mental tension as well
as chronic anxiety. It is believed to be toxic to insects and is sometimes used
as a repellent and also to deter snakes and other reptiles due to its strong
odor.
In this
manner, camphor not only has a highly spiritual value in Hindu customs but can
also be beneficial to the environment in which it is burned. Again, just like
anything else, the use of camphor should be in moderation to avoid any side
effects it may cause.
Special thanks go to contributors:
Dr. M. Rajagopalan
Dr. Ramesh Pai
Dr. Panchanan Satpathy
Mr. N. R. Srinivasan
Bharat K., IndiaDivine.org
Collected and compiled by Kamala Raghunathan and
N.R.Srinivasan
Considerable assistance has been drawn from the
Central Chinmaya Mission Trust Publication, “Indian Culture--Why do we Do?”
APPENDIX
Why is
Ghee Preferred to Oil for Puja Lamp?
Posted by Hindu Jagruti | Sep
23, 2015 |
Worship of a deity is a subject of faith for all of us. We
build a temple room in our house and decorate it well. We also keep the images
or idols of the deities we like and perform daily puja (ritualistic worship).We
purchase the articles of puja according to our capacity.
We are also quite familiar with such articles like kalash (a
water vessel generally of metal), shankh(conch ), a copper plate, a copper
vessel, a small spoon, a lamp etc. Every article of puja has its own
significance. Let us understand the significance of an important article of
puja that is lamp.
1. Importance of lamp
in Hindu Dharma
The lamp has its own special place in Sanatan Vaidik Hindu
Dharma. It is a form and a symbol of Tej (Absolute fire principle). The lamp is
invoked as ‘तमसो मा ज्योतिर्गमय ।’ meaning the lamp leads us from darkness towards light. It burns only to
give message of peace and light to the man. This is its greatness. In this
Satsang we shall try to understand what the scriptures have to say about the
lamp. Amongst the articles of puja the lamp is an important article. The
following mantra which is recited during the ritual of puja explains its
significance.
भोदीपब्रह्मरूपस्त्वं ज्योतिषांप्रभुरव्यय: ।।
आरोग्यंदेहिपुत्रांश्चमत:शांतिं प्रयच्छमे ।।
आरोग्यंदेहिपुत्रांश्चमत:शांतिं प्रयच्छमे ।।
Meaning: O Deity of lamp, you are of the form of Bramhan (the
absolute truth). You are full of radiance. You never wither. Please bestow me
health and good progeny and please fulfill my wishes.
2. Characteristics of
Oil and Ghee lamps
Agni Puran clearly states that only oil or Ghee (clarified
butter) be used in the lamp meant for puja and no other combustible substance.
According to the Science of spirituality the lamp with clarified butter is more
sattvik (spiritually pure) as compared to lamp in which oil is used. This is an
important aspect which we will try to understand in details. So let us see the
difference between the the lamp in which Ghee is used and the one with oil.
Generally the use of oil is more prevalent than that of Ghee.
The oil containing lamp kindles longer while the ghee containing lamp kindles
for a short period. Now let us see the difference from the spiritual view
point.
Ghee lamp has more capacity to attract the sattvik vibrations
present in the surrounding atmosphere as compared to oil lamp.
The oil lamp can attract the sattvik vibrations spread over a
maximum distance of 1 meter while the ghee lamp can attractsattvik vibrations
spread over till Swarga Lok (heaven)
When the oil lamp stops burning the predominance of raja particles in the atmosphere is enhanced and lasts for half an hour. On the other hand when the ghee lamp stops burning the impact of sattvikta (the quality of being sattvik) on the atmosphere is experienced even after four hours.
When the oil lamp stops burning the predominance of raja particles in the atmosphere is enhanced and lasts for half an hour. On the other hand when the ghee lamp stops burning the impact of sattvikta (the quality of being sattvik) on the atmosphere is experienced even after four hours.
Effects of Both Types
of Lamp on the Worshiper.
The oil lamp generates a subtle armor of inferior quality
around the worshipper while ghee lamp generates a subtle armor of superior
quality.
The subtle frequencies emitted from the oil lamp activate the
Mind-energy (Manashakti) of the worshipper whereas the subtle frequencies
emanating from the ghee lamp activates soul energy of the worshipper.
According to yogic path of Kundalini Yoga there are seven
principle chakras or energy centers in the human being. These chakras influence
practically every aspect of human being including physical body, mind and
intellect. The oil lamp is effective in purification of Muladhar and
Swadhishthan Chakra only to certain extent but the ghee lamp purifies Manipur
and Anahat chakrasto a significant extent.
Just as there are seven chakras in the human body, there are
paths for the flow of vital energy (chetana). These are called asNadis or
channels. The three principle nadis are Chandra nadi (Moon channel), Surya nadi
(Sun channel) and Sushumna nadi. When Chandra nadi is active the person
perceives coolness. The activation of Surya nadi imparts energy to the person.
TheSushumna nadi is activated when the person starts progressing spiritually.
The oil lamp activates the Surya nadi of the person while ghee lamp activates
only that nadi which is essential to the worshipper in a particular action.
2.2 Effect on the
Subtle Sheaths of the Worshiper
According to the science of spirituality the body which is
visible to our eyes is called Annamaya Kosha or food sheath. Besides this there
are four other Koshas namely Pranmaya Kosha or vital air sheath, Manomaya Kosha
or the mental sheath, Vidnyanmaya Kosha or sheath of intellect and Anandmaya
Kosha or bliss sheath. The Pranmaya kosha is a seat for the Pancha pranas (five
vital air elements) which provides energy to the gross body. The second
Manomaya kosha is the seat of emotions.
The thirdVidnyanmaya Kosha is the seat of intellect and the
fourth Anandamaya Kosha is the seat of Soul which is of the nature of
existence, consciousness and bliss (satchidananda). Even these subtle sheaths
or koshas are affected by the oil or ghee lamps. The oil lamp imparts power to
the raja paricles in the Pranamaya kosha which makes the individual rstless.
The ghee lamp strengthens the sattva particles of Pranamaya kosha and Manomaya
Kosha and as a result of this the jiva (individual, embodied soul) becomes
peaceful,stable and happy.
2.3 Spiritual
Experience Imparted by Oil and Ghee Lamps
We are used to appreciating this world through the media of
five sense organs namely nose, ears, eyes, tongue, skin , mind and intellect.
This is known as experience. But when we experience something without the
participation of all these then it is known as spiritual experience. Now let us
compare the spiritual experiences obtained due to oil and ghee lamps. The oil
lamp gives us spiritual experience of Pruthvi tattva (absolute earth element)
and Aap tattva (absolute water element). For example if we get an experience of
fragrance without the actual presence of an object which can impart such
fragrance then it is a spiritual experience of Subtle fragrance or gandha. The
fragrance is related to Pruthvi tattva. The example of spiritual experience of
Aap tattva is dwelling sweet taste in the mouth.
When we see subtle light or vision of a deity then it is an
example of spiritual experience related to Tej tattva or absolute fire element.
When we experience a feeling of touch without any external reason then it is a
spiritual experience related to Vayu tattvaor absolute air element. The ghee
lamp gives spiritual experience of Tej tatva and Vayu tattva to the worshipper.
2.4 Why Only Ghee
Prepared From Cow’s Milk Should Be Used?
Generally any oil lamp emits frequencies consisting of raja
particles but the sesame oil emits some sattva frequencies also. Therefore the
lamp with sesame oil is comparatively more sattvik. However the ghee lamp emits
the sattvik frequencies in maximum amount compared to any oil lamp. Here we
have to remember one thing that it is useful use ghee prepared only from the
cow’s milk in the lamp lit in front of Deity. This is because in such ghee the
Deites’ principles are already existent. Such a ghee which is dominant in
sattva component emits luminous figures in the atmosphere. Such luminous
figures are forms of Tej tattva or absolute fire element. Thus, even though the
use of ghee is recommended because of its capacity to emit maximum sattva
frequencies, we can use sesame oil lamp if the use of ghee is not possible
because of financial restraints or otherwise.
2.5 Points to be
Considered While Using a Lamp
Do not kindle an oil lamp with a ghee lamp and vice
versa. Do not kindle one lamp with another similar lamp. For example if
there are two niranjans (a type of lamp) in an arti platter then do not light
one niranjan with another niranjan. Similarly do not light one pillar of lamps
with another.
Sometimes while performing puja we unknowingly touch the
lamp. We should immediately wash our hands then. This is because when we
worship a deity the sattva component of the lamp increases. When we touch the
lamp the raja-tamaparticles from our body enter the lamp by way of touch. This
reduces the purity of the lamp. The water has the property of encompassing
everything. Anything which is offered to a deity through the medium of water
reaches Him/Her faster.
When we wash our hands we are one way dissolving our sins in
the water. The spiritual practice of water is to assimilate in itself sins done
by all. The extremely merciful Deities absolve us from our defects when we
offer them at their feet through the medium of water.
3. Should Electric
Bulbs Be Used Instead of Ghee Lamps?
Now a days we see electric bulbs in use during the puja
ritual instead of ghee lamp. What is the difference between two from the point
of view of Spiritual science?
Some people may be finding it funny to worship a lamp of oil
or ghee when the modern scientific era has offered us so much glitter by way of
electrical bulbs. But our ancestors have given priority to the worship of lamp
after profound experience and through the attitude of gratitude. Let us now
compare the electrical bulb and the lamp with ghee. The light emitted from the
electrical bulb blinds our eyes while the gentle flame of ghee lamp reminds us
of Atma-Jyoti or flame of soul. The electrical bulb makes us extroverted and
then the mind runs towards external objects. The ghee lamp makes us to look
inwards. Thus we have seen the difference between the electrical bulb and ghee
lamp.
4. Five Wicks and
Single Wick Lamp
There are other varieties of the lamps also such as lamp with
a single wick and lamp called niranjan wherein five wicks are used. The
Niranjan with five wicks is symbolic of duality that is the manifest energy of
a deity, whereas the lamp with a single wick attracts sattvik frequencies the
lamp with five wicks attracts waves with destroyer property and dominant in
raja component. The niranjan with five wicks denotes the relation of Panchpran
(five vital air principles) with the Atmajyoti (flame of soul). Niranjan is
used for waving Pancharati. Every single flame of niranjan is symbolic of
Atmajyoti. Pancharti means invocation of God with the help of panchparanas. While
performing Pancharti we should have such a spiritual emotion that the Atmajyoti
is kindled in me with the help of five panchaprans present in the body and I am
performing the arti with such flame.
5. Why Should a
Straight Wick be Used as Compared to Puffed Up Wick?
During puja ritual a lamp is offered at various steps of the
ritual according to purpose. For example,
performance of arti. Two types of wicks are used in the lamp namely Puffed wick
and straight wick. Nowadays a puffed wick is used in a ghee lamp or niranjan
and used as lamp of worship. The wick is puffed up from below to offer it
stability to stand in the center of niranjan. The puffed wick is used in a ghee
lamp. This type of wick is relatively of recent origin. The second type of wick which we all are
familiar with is straight wick. Two straight wicks are joined together like a
thread and used in a lamp. Not only there is difference between the two on a
gross form but also on spiritual level.
The lower portion of the float is puffed up while the
straight wick is whole like a thread.
Thefloat is
representative of various raja thoughts in the mind while straight wick is
symbolic of detachment and also represents the thread which joins Panchaprans
with Atamjyoti.
When afloat is kindled the inferior deities are attracted to
it while the straight wick when kindled attracts principles of higher deities.
The frequencies emitted by the float are of circular form
while those emitted by straight wick are in the form of waves.
The colour of the divine consciousness emitted by the fulwat
is redish yellow while that emitted by straight wick is of yellow colour.
Sattvik earth frequencies get attracted towards fulwat while
more sattvik frequencies moving in the upward direction are attracted towards
straight wick.
The atmospheric frequencies get momentum due to fulwat while
their momentum is slowed down by the use of straight wick.
An armour of Pruthvi (absolute earth element) and Aap tattva
(absolute water element) is generated around the worshipper by use of fulwat
while straight wick generates an armour of Tej tatva (absolute fire element)
around the worshipper.
According to science of spirituality Tej tattva is more
powerful than either Pruthvi tatva or Aap tattva. As a result the use of
fulwatimparts heaviness to the physical body while the use of straight imparts
cheerfulness to mind.
Source: hindujagruti.org
Importance
of Using Coconut in Temples
Posted by Ramesh
Powar | Dec 17, 2015 | India Divine.Org
Known as “Tengai” (literally “honey fruit”) in Tamil, and as
“Nariyal” in Hindi (literally “fruit containing wate=”, rom the root word “nari” meaning “water”).
The
coconut is a resilient fruit whose shell can withstand the pressure of sea
water, so it is not impossible for it to have made the transit across the water
without human assistance. A hardy plant, the coconut would have been able to
survive in relatively inhospitable weather without much upkeep. It grows in
sandy soil, requires little water, and requires virtually no maintenance.
In Indian culture ‘Nariyal’ or ‘Copra’ is a
symbol of good luck and prosperity. Every auspicious work begins with the
breaking of the coconut and the offering of ‘Nariyal’ is a traditional ritual.
For success and prosperity at all occasions, the launch is done with the
breaking of a sanctified coconut.
All
religious functions and rituals start with the offering of the coconut since it
is regarded as the symbolic Ganesh, the deity who helps in the successful
completion of any work undertaken.
Sage
Vishwamitra is said to be the creator of the coconut. Its hard kernel inspires
one to do hard work for attaining success. People get strength and improved
eyesight by eating the kernel. The sick and the elderly find its water
nourishing and ladies apply its oil for luxurious hair.
Germs
can’t penetrate its hard kernel so it remains intact for months together.
Coconut is used both as a food item and as a medicine. It is a rich source of
vitamin E, B, C and calcium, iron, phosphorus and other minerals. It has high
quality alkaline oil and is a rich source of fat. The protein found in coconut
is also of high quality. Coconut is easily digestible, nutritious, blood
enhancer, urinary tract purifier, strength giving and remover of the three
doshas.
In
Indian culture one of the most common offerings in a temple is a coconut. It is
also offered at occasions like weddings, festivals, the use of a new vehicle,
bridge, house, etc. It is offered in the sacrificial fire while performing
hawan. The coconut is broken and placed before the Lord.
It
is later distributed as prasad (a holy gift). At the beginning of any religious
occasion, a coconut is turned around the person or deity and broken at the
entrance; this is to remove negativity and bring out the goodness. The
whiteness inside the coconut denotes purity.
The
fiber covering of the dried coconut is removed except for a tuft on the top.
The marks on the coconut make it look like the head of a human being. The
coconut is broken, symbolizing the breaking of the ego. The juice within,
representing the inner tendencies (vasanas), is offered along with the white
kernel – the mind, to the Lord.
A
mind thus purified by the touch of the Lord is used as prasad. In the
traditional abhishekha ritual done in all temples and many homes, several
materials are poured over the deity like milk, curd, honey, tender coconut
water, sandal paste, holy ash, etc. Each material has a specific significance
of bestowing certain benefits on the worshipers.
Tender
coconut water is used in abhisheka rituals since it is believed to bestow
spiritual growth on the seeker. The marks on the coconut are even thought to
represent the three-eyed Lord Shiva and therefore it is considered to be a
means to fulfill our desires.
The
coconut also symbolizes selfless service. Every part of the tree -the trunk,
leaves, fruit, coir, etc. are used in innumerable ways like thatches, mats,
tasty dishes, oil, soap, etc. It takes in even salty water from the earth and
converts it into sweet nutritious water that is especially beneficial to sick
people. It is used in the preparation of many Ayurveda medicines and in other
alternative medicinal systems.
Ancient
Indian doctors used to burn its outer shell to prepare tooth powder, creams and
ointments for burns. Every inch of the coconut plant is very beneficial to
humans hence Indians consider it a good omen to receive or give coconut as
gifts. It is also called ‘Shreephal’ because it denotes prosperity.
Coconut
is a crop with unique features. Owing to its versatile uses, the demand for
coconut and its products has been on the increase having already attained the
premier position in the world. Moreover coconut is an eco-friendly crop which
permits co-existence of multi-species of plants.
It
enriches soil fertility in association with other crops and is quite amenable
to organic farming if appropriate intercrops are grown in the inter-spaces. Due
to multifarious uses, the future of the crop is very bright irrespective of the
location where it is grown in the world.
The
Science behind Bells in Hindu Temples
Have
you ever wondered why bells are there in temples. Also these are large bells, with higher circumference. These
are not just hanging there for you to ring. It is an age old tradition to ring
the bell of the temple upon entering its premises. Bell ringing is an ancient
Vedic ritual and one can see multiple bells hanging over the domes in many
Indian shrines.
It
is said that the devotees knock God’s entrance to ask permission upon entering
his holy sanctum. Making temple bells is a whole science. The bell is made
up of a mixture of five metals – lead, copper, zinc, iron, and tin – to
which it is measured based on ratio and specification.
The proportion at which each one of them mixed
is the real science behind making a bell. Each of these bells is made to
produce such a distinct sound that it can create a harmony between your left
and right brains. The moment you ring that bell, it produces sharp but lasting
sound vibration which lasts for minimum of seven seconds in echo mode — long
enough to touch your seven healing centers (or chakras) in your body.
The
moment bell sound happens your brain is emptied of all thoughts. Invariably,
you will enter a state of trance where you are very receptive. This trance
state is the one with inner awareness. Normally, you are so occupied in mind
that the only way to awaken you is with a shock!
The bell works as antidote to the chaos of your mind. Before you enter a temple
it prepares you for the calming taste of spiritual awareness you are going
to experience.
Bells
had other reasons also, as most of the old temples never had doors and were
located near hills and forest there would have been distinct possibilities for
animals, Insects, birds to take shelter. But bell sound doesn’t allow any of
the living creatures to sustain inside for a long time. Don’t be surprised if
you find old temples still brimming with energy inside with less dust, no sign
of insects or animals.
Bell
worship is called as Ghanta Puja (Ghanta is bell in Sanskrit). The sound that
comes out of the sacred bell is called Jaya Dwani (Victorious Sound). This
sound helps to drive away the demonic forces and brings in the auspicious and
positive forces. This has a deeper and inner meaning as well. This will drive
away the evil thoughts from us. The bell will ring from inside us giving us
positive energy.
Cultural Beliefs:
As
per the Agama Sastra, ringing a bell in temples will prevent evil spirits. The
evil spirits namely Yaksha, Paisasa, Rakshasa and Brahmarakshasa will not enter
the temple.
Why do we adore and worship Lotus?
(N.R. Srinivasn, E-Mail to Participants)
Recently I forwarded a spiritual message on Lotus with
a quote from Bhagavad Gita from FOWAI of Swami Chidananda Ashram. I thought many of you might know the spiritual
background of this famous water plant with its smile to greet us in the morning
and kindle our thought as we walk around the lake. So I did not react. One of my philosopher poet participant sent me
the following comments.
“Sometimes I wonder how something so obvious becomes oblivious
for the eyes not to recognize, for the soul not to realize, the significance,
the reverence, the deference, of God's creation, which is all-around us without
the recognition like the divine Lotus Flower! Thank you for sending the message
about Lotus flower. I have attached two poems I have written about Lotus
flower, I hope it signifies the essence of your discourse” This in turn inspired me to write to you on the subject
from my compilations:
Padmapurana says that the
world was born through a "Golden Lotus" and also mentions of Padmakalpa, the Lotus Age. Lotus is India’s National flower. It is the symbol of
Truth, Auspiciousness and Beauty (Satyam Sivam Sundaram). The Lord is also of
that nature and therefore he is often described
as possessing lotus eye , lotus
feet, lotus hands, and often addressed as the lotus of the heart (spiritual
heart) or Self. Almost all Hindu
scriptures extol the beauty of the
lotus. Hindus names are often drawn from
lotus—Padma, Pankaj, Kamala,
Padmakshi, Padmapriya, Kamlakshi,
Padmalochan etc. The lotus blooms with
the rising sun and closes with the setting sun. Our minds too, open up and
expand with the light of knowledge. Its
leaves and petals remain beautiful and
untainted despite the muddy and dirty surroundings. It reminds us that we too
should strive to remain pure and beautiful within, under all circumstances. It
symbolizes a Man of Wisdom (Jnaani) who remains ever happy unaffected by the
world of sorrow and change as described in Bhagavad Gita: “Brahmanyadhaaya karmaani sangam tyaktvaa karoti yah |
lipyate na sa paapena padmapatrmivaambhasa”
He who does actions, offering them to Supreme Being
(Brahman) abandoning all attachments is not tainted by sin, just as a lotus
leaf remains y unaffected in muddy water on it. Please go through my detailed
discourse on the subject “Padmapatramivaambhasa”
From this we learn that what is natural to the man of
wisdom becomes a discipline to be practiced by all spiritual seekers and
devotees. Our bodies have certain energy centers described as Kundalinee power and Chakras about
which I talked about. For example Sahasraara chakra at the top of the
head, that opens when the Yogi attains
Godhood or Realization, is represented by a lotus with one thousand
petals. Also, the lotus posture
(Padmaasana) is recommended when one meditates.
The lotus
emerged from the navel of Vishnu and from it Brahma was born. Hence the
lotus symbolizes the link between the creator and the Supreme cause. It also
symbolizes Brahmaloka, the abode of Brahma. The auspicious sign of swastika is
said to have evolved from the lotus.
Upanishads
repeatedly say that the Atman dwells in the lotus within the heart. Within
the center of the lotus, see a small light. Atman
within the heart looks like a brilliant light about the size of your thumb,
just a small light. This light is an emanation of your radiant being. It is
dwelling right within. The Self God is deeper than that. The lotus is within
the heart, and the Self God dwells deep within that lotus of light. Within each
human is the spirit of the sacred lotus. It represents eternity, purity,
divinity, and is widely used as a symbol of life, fertility, ever- renewing youth. Upanishads describe that water represents the procreative
aspect of the Absolute, and the cosmic lotus, the generative. Trilok Chandra
Majupuria of Tribhuvan University, Kathmandu says: The Taittiriya Brahmana describes how
Prajapati, desiring to evolve the universe, which was then fluid, saw a
lotus-leaf, pushkara parna, coming out of water. It is described that when
divine life-substance was about to put forth the universe, the cosmic waters
grew a thousand-petal lotus flower of pure gold, radiant like the
sun. This was considered to be a doorway, or an opening of the mouth of the
womb of the universe. Lotus is the first product of the creative
principle. The role of Lord Brahma was
to re-create the universe after the great flood on this planet. In order to
create the universe, He used the different parts of the lotus plant. Lotus stem
based food delicacy in North India. Orthodox Vaishanvites in South India do not use lotus stem in cooking as this plant is part and parcel of Vishnu.
Mahabharata
says Lakshmi emerged from a lotus which grew from the forehead of Lord Vishnu. That
is why a garland of 108 lotus seeds is used for the worship of Lakshmi. The
Goddess of Power Durga was created by Lord Siva to fight demons and was adorned
with a garland of lotus flowers by Varuna. Goddess of Wisdom, Saraswati is
associated with the white Lotus. Virtually every God and Goddess of Hinduism;
Brahma, Vishnu, Siva, Lakshmi, Saraswati, Parvati, Durga, Agni, Ganesha, Rama
and Surya; are typically shown sitting on the lotus, often holding a lotus
flower in their hand. The lotus which serves thus as the seat of the Deity,
signifying their divinity and purity, is called Padmasana or Kamalasana.
Spiritual focus on
Lotus has also taken root in Chinese cultures with a famous statement made by
the 11th century Confucian scholar Zhou Dunyi: "I love the lotus because while growing from mud, it
is unstained." In Buddhist philosophy the lotus is symbolic of purity of the body, mind and
speech, as
while rooted in the mud, its flowers blossom on long stalks as if floating
above the muddy waters of attachment and desire. It is also symbolic of
detachment as drops of water easily slide off its petals. According to mythology
Gautama Buddha was born with the ability to walk and everywhere he stepped,
lotus flowers bloomed. For Buddhists, the lotus flower symbolizes the most
exalted state of human; head held high, pure and undefiled in the sun, feet
rooted in the world of experience.
My participant inspired by my
communication burst so forth with his poetic ecstasy to write this poem on the glory of Lotus and send it to me:
Lotus, Lovely to look at as the morning
sunrises
Lovely to
look at like the morning sunrise
Oracle of
beauty with serene smiling eyes
Beautiful to
beholders eyes like morning sunrise
Toast of the
nature its creation of grandeur
Unique is
its floral appearance of splendor
Singular are
its pretty petals flower of wonder
Lotus the
magnificent flower is the symbol of bliss
Overture of
its charm is of every flower's secret wish
Tremendous
facade of profound poetic imagination
Universal
praise for its looks has brought coronation
Sumptuous
fragrance has attracted acclaimed adoration
Lustrous is
its allure beyond beholders sentimental claims
Opulent is
its blooms, blossoms joyfully in rain or shine
Twines its
magic on every heart capturing the emotion
Ubiquitous
is its glory it commands everyone’s devotion
Shimmers
with colors it puts hearts and souls into motion
Religious is
Lotus
Spiritual
and sentimental
Pious is
Lotus
Pleasant and
elegant
Precious is
Lotus
Wonder with
splendor
Joyous is
Lotus
Petals
blooms with smiles
Lustrous is
Lotus
Shimmers and
glimmers
Lovely is
Lotus
Glorious and
illustrious
Amorous is
Lotus
Radiant and
opulent
Gorgeous is
Lotus
Laughing and
smiling
Glorious is
Lotus
Glitters and
shimmers
Arduous is
Lotus
Sparkles and
twinkles
Vibhuti--How and Where Should We Apply It
Posted by Sadhguru Jaggi Vasudev | Sep 01, 2015 | 1,222 views
________________________________________
There are many aspects to the usage of vibhuti or sacred ash. First of all, it is a great medium to transfer or transmit energy, and it has an ability to help direct and control the energy body. Apart from that, there is a symbolic significance to applying it on the body. It is a constant reminder of the mortal nature of life – it is like you are always wearing mortality on your body.
Normally, yogis use the ash that they pick up from the cremation grounds as vibhuti. If this ash cannot be used, the next alternative is to use cow dung. There are other substances used but the basic material, the body of it, is cow dung. If even this ash cannot be used, the next alternative is to make it of rice husk. This is indicative that the body is not the core substance, it is just the husk.
Why do we use sacred ash?
Unfortunately, in many places it has become a scandalous business where they are just giving a certain white rock powder as sacred ash. But if it is properly prepared and you know where and how to apply it, sacred ash makes you much more receptive; and the place where you apply it on your body becomes more sensitive and goes towards the higher nature. So, before you step out of the house in the morning, you apply sacred ash at certain points to receive the divine around you, not the devil. Depending on which aspect of you is receptive at that moment, you can receive life in different ways and from various dimensions of who you are. You must have observed this – at one time, you saw something and experienced it in a certain way. Some other time, you saw the same thing and experienced it in a totally different way. The way you receive life makes the difference. So, you want the higher aspects of you to be receptive, not the lower.
Within your physical body, there are seven basic centers representing seven dimensions of experiencing life. These centers are known as chakras. A chakra is a certain meeting point within the energy system. These chakras are not physical; they are of a subtle nature. One can experientially know these chakras, but if you cut the body and see, you will not find any chakra. As you move into higher levels of intensity, naturally the energies will rise from one chakra to another. If you receive life from the higher chakras, the same situation will be different for you than if you receive life from the lower chakras.
How should we apply sacred ash?
Traditionally, vibhuti is taken between your thumb and your ring finger – you don’t have to pick up a lot of it, just a little bit – and applied between the eyebrows, known as the agna chakra, at the pit of the throat known as the vishuddhi chakra, and in the center of the chest where the ribcage meets, known as the anahata chakra. It used to be common knowledge in India that you must apply it at these points. The reason why these particular points have been specified is because sacred ash makes them more sensitive.
Vibhuti is usually applied at the anahata so that you receive life as love. It is applied at the vishuddhi so that you receive life as power; power does not mean just physical or mental power, there are so many ways in which a human being can be powerful. The idea is to make the life energies very strong and powerful so that your very presence has an influence on life around you – you don’t have to speak or act – if you simply sit, you influence the situation around you. This kind of power can be developed within a human being. Vibhuti is applied at the agna so that you receive life as knowledge.
This is a very deep science, but today, without understanding the science behind it, we simply apply it like a stripe on the forehead. The one who has stripes one way does not agree with the one who has the stripes another way – this is stupidity. Vibhuti is not something that Shiva gave, or this or that god gave. This is not a question of belief. In Indian culture, it has been looked at deeply as a tool for a person’s growth. Properly prepared sacred ash has a different vibrancy. There is a need to revive and make use of the science behind this.
Posted by Sadhguru Jaggi Vasudev | Sep 01, 2015 | 1,222 views
________________________________________
There are many aspects to the usage of vibhuti or sacred ash. First of all, it is a great medium to transfer or transmit energy, and it has an ability to help direct and control the energy body. Apart from that, there is a symbolic significance to applying it on the body. It is a constant reminder of the mortal nature of life – it is like you are always wearing mortality on your body.
Normally, yogis use the ash that they pick up from the cremation grounds as vibhuti. If this ash cannot be used, the next alternative is to use cow dung. There are other substances used but the basic material, the body of it, is cow dung. If even this ash cannot be used, the next alternative is to make it of rice husk. This is indicative that the body is not the core substance, it is just the husk.
Why do we use sacred ash?
Unfortunately, in many places it has become a scandalous business where they are just giving a certain white rock powder as sacred ash. But if it is properly prepared and you know where and how to apply it, sacred ash makes you much more receptive; and the place where you apply it on your body becomes more sensitive and goes towards the higher nature. So, before you step out of the house in the morning, you apply sacred ash at certain points to receive the divine around you, not the devil. Depending on which aspect of you is receptive at that moment, you can receive life in different ways and from various dimensions of who you are. You must have observed this – at one time, you saw something and experienced it in a certain way. Some other time, you saw the same thing and experienced it in a totally different way. The way you receive life makes the difference. So, you want the higher aspects of you to be receptive, not the lower.
Within your physical body, there are seven basic centers representing seven dimensions of experiencing life. These centers are known as chakras. A chakra is a certain meeting point within the energy system. These chakras are not physical; they are of a subtle nature. One can experientially know these chakras, but if you cut the body and see, you will not find any chakra. As you move into higher levels of intensity, naturally the energies will rise from one chakra to another. If you receive life from the higher chakras, the same situation will be different for you than if you receive life from the lower chakras.
How should we apply sacred ash?
Traditionally, vibhuti is taken between your thumb and your ring finger – you don’t have to pick up a lot of it, just a little bit – and applied between the eyebrows, known as the agna chakra, at the pit of the throat known as the vishuddhi chakra, and in the center of the chest where the ribcage meets, known as the anahata chakra. It used to be common knowledge in India that you must apply it at these points. The reason why these particular points have been specified is because sacred ash makes them more sensitive.
Vibhuti is usually applied at the anahata so that you receive life as love. It is applied at the vishuddhi so that you receive life as power; power does not mean just physical or mental power, there are so many ways in which a human being can be powerful. The idea is to make the life energies very strong and powerful so that your very presence has an influence on life around you – you don’t have to speak or act – if you simply sit, you influence the situation around you. This kind of power can be developed within a human being. Vibhuti is applied at the agna so that you receive life as knowledge.
This is a very deep science, but today, without understanding the science behind it, we simply apply it like a stripe on the forehead. The one who has stripes one way does not agree with the one who has the stripes another way – this is stupidity. Vibhuti is not something that Shiva gave, or this or that god gave. This is not a question of belief. In Indian culture, it has been looked at deeply as a tool for a person’s growth. Properly prepared sacred ash has a different vibrancy. There is a need to revive and make use of the science behind this.
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